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America. A Prophecy, Plate 10, "The Terror Answered...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountain Rocks
Creator:
David Hall McKewan, 1816–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 16 5/8in. (24.1 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coastal Scene
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 16 9/16 inches (28.8 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Grotto at Posillipo
Creator:
Thomas Jones, 1742–1803
Date:
ca. 1782
Materials & Techniques:
Watercolor, graphite, pen and gray ink, and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Glenfinlas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tolleshunt-Beckingham, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spruce Fir
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mountain Tops (A Mountain Study)
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1780
Materials & Techniques:
Brown wash, gray wash, graphite, and brown ground on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 12 1/4 inches (23.5 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountainous Landscape
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1780
Materials & Techniques:
Brown ink, black ink, gray wash, brown wash and pale brown ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 12 1/2 inches (24.1 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shipbuilding on the Yorkshire Coast
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 16 5/8 inches (24.1 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Between Chamonix and Martigny
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection