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1. A Cudgelling Match between English and French Negroes in the Island of Dominica

A Cudgelling Match between English and French Negroes in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Burmese Dancers

Burmese Dancers
Creator:
Print made by Charles William Cain, 1893–1962
Date:
between 1920 and 1924
Materials & Techniques:
Drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 14 9/16 x 18 3/4 inches (37 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. The Nautch Dancers

The Nautch Dancers
Creator:
Print made by Charles William Cain, 1893–1962
Date:
ca. 1925
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 19 1/16 inches (39.3 x 48.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith Zlotsky

4. Sunshine of Love

Sunshine of Love
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1837
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Mary Elizabeth, Countess Grey, with Her Two Children

Mary Elizabeth, Countess Grey, with Her Two Children
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1831
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 3/4 inches (43.5 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund