The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
3
Charles Williams, active 1796–1830
The Union Club
undated
4
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
5
Imitator of James Gillray, 1756–1815
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
6
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
7
James Gillray, 1756–1815
A London Street Crier
undated
8
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
9
James Gillray, 1756–1815
National Discourse
1780
10
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
11
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
12
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
13
James Gillray, 1756–1815
Wha Wants Me?
1792
14
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
15
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
16
James Gillray, 1756–1815
Patience on a Monument
1791
17
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
18
James Gillray, 1756–1815
Breathing a vein
1804
19
James Gillray, 1756–1815
Charming-well again
1804
20
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
21
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
22
James Gillray, 1756–1815
[ untitled ]
1800
23
James Gillray, 1756–1815
Scene le Vrog House
1782
24
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
25
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
26
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
27
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
28
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
29
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
30
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
31
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
32
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
33
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
34
Thomas Rowlandson, 1756–1827
Filial Piety
1788
35
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
36
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
37
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
38
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
39
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
40
James Gillray, 1756–1815
Hounds Throwing-Off
1800
41
James Gillray, 1756–1815
Hounds in Finding
1800
42
James Gillray, 1756–1815
Coming-In at the Death
1800
43
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
44
James Gillray, 1756–1815
The Royal Society
1786
45
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
46
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
47
James Gillray, 1756–1815
Love's Last Shift
1787
48
James Gillray, 1756–1815
Hounds in Full-Cry
1800
49
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
50
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
51
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
52
James Gillray, 1756–1815
Les Trois Magots
1791
53
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
54
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
55
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
56
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
57
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
58
James Gillray, 1756–1815
The Prodigal Son
1787
59
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
60
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
61
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
62
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
63
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
64
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
65
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
66
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
67
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
68
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
69
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
70
James Gillray, 1756–1815
Jack A Both Sides!
1783
71
James Gillray, 1756–1815
The Legacy
1786
72
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
73
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
74
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
75
James Gillray, 1756–1815
Destruction of the French Collossus
1798
76
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
77
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
78
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
79
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
80
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
81
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
82
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
83
Print made by James Gillray, 1756–1815
The Sick Prince
1787
84
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
85
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
86
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
87
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
88
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
89
James Gillray, 1756–1815
Ancient Music
1787
90
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
91
James Gillray, 1756–1815
Malagrida, Driving Post
92
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
93
James Gillray, 1756–1815
The Finishing Touch
1791
94
James Gillray, 1756–1815
Wha Wants Me?
1792
95
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
96
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
97
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
98
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified