On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Exhibition History: Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)

1. Hay and Log Barges on the Conway

Creator:: Richard Henry Nibbs, 1816–1893
Date:: undated
Materials & Techniques:: Watercolor, gouache, gum, and graphite with scratching out on thick, textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 23 7/8 inches (40.3 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry

Creator:: Studio of Thomas Telford, 1757–1834
Date:: 1819
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 13/16 × 21 1/2 inches (37.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office

Creator:: W. S. Penson, 19th century
Date:: undated
Materials & Techniques:: Graphite, pen and ink, watercolor, and gouache, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8in. (24.1 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Arcades Ambe

Creator:: Charles Samuel Keene, 1823–1891
Date:: undated
Materials & Techniques:: Pen and brown ink and white gouache on medium, slightly textured, beige wove paper mounted to card
Dimensions:: Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

5. View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock

Creator:: W. S. Penson, 19th century
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8in. (24.1 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Railway Office, Liverpool

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 8 5/8 inches (15.4 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Opening of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Bridge over the Irwell and Entrance into Manchester

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Iron Bridge, Coalbrookdale

Creator:: Thomas Frederick Burney, op. 19th c
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 11 5/8 inches (20 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. View on the Line of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Viaduct over the Sankey Canal

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/16 inches (15.6 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Chat Moss

Creator:: Isaac Shaw, active 1830
Date:: undated
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Entrance to Brentford

Creator:: William Henry Harriott, active 1811, died 1839
Date:: 1809
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 16 1/8 inches (30.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Interior of a Bus

Creator:: Charles Samuel Keene, 1823–1891
Date:: ca. 1890
Materials & Techniques:: Pen and brown ink, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 inches (14 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

16. View of Old London Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: 1825
Materials & Techniques:: Watercolor, and pen and brown ink on moderately thick, textured, beige wove paper
Dimensions:: Sheet: 13 1/4 x 21 1/8 inches (33.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. John Gilpin in the Uxbridge Passage Boat

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, blue wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 5/8 inches (23.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Twenty Minutes Late!! No. 2

Creator:: Sir Frank Short, 1857–1945
Date:: 1893
Materials & Techniques:: Etching, finished plate
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

19. A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1829
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 x 10 1/4in. (20.3 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Riding [a pair]: 2. Tilbury Fort.

Creator:: Edward Hull, 1810–1877
Date:: 1820
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 1/2 x 14 1/4in. (24.1 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Coaching [a pair]: 2. Arrival of the Stage Coach

Creator:: Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Mother Bundle in a Rage or Too late for the Stage

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1809
Materials & Techniques:: Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. London Street Tramways, Passing in front of Scane Chruch, Marylebone Road

Creator:: unknown artist
Date:: ca. 1870
Materials & Techniques:: Hand-colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Highgate Archway from the Turnpike Gate at Holloway

Creator:: unknown artist
Date:: 1823
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)

Creator:: S. G. Hughes, active 1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 25in. (22.9 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of the Intersection Bridge on the line of St. Helen's & Runcorn Gap Railway, Crossing the Liverpool and Manchester Railway near the Foot of the Sutton Inclined Plane

View of the Intersection Bridge on the line of St. Helen's & Runcorn Gap Railway, Crossing the Liverpool and Manchester Railway near the Foot of the Sutton Inclined Plane

Creator:: S. G. Hughes, active 1832
Date:: 1832
Materials & Techniques:: Hand-colored aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Bruce Passing the Peveril Coach and Manchester Mail

Creator:: Print made by Robert Havell II, 1793–1878
Date:: 1837
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/8 x 11 1/8in. (20.6 x 28.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Bath Coach

Creator:: Aquatinted by George Hunt, active 1820–1840
Date:: 1820
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor
Dimensions:: Sheet: 10 3/4 x 13 5/8in. (27.3 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1829
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 x 10 1/4in. (20.3 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Gurney's New Steam Carriage

Creator:: unknown artist
Date:: ca. 1829
Materials & Techniques:: Engraving, colored by hand
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Age, Brighton Coach, at the Bull and Mouth Regent Circus

Creator:: Charles Hunt, 1803–1877
Date:: 1829
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 20 1/2 x 29in. (52.1 x 73.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Stage Coach

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 15/16 x 16 13/16in. (37.9 x 42.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Coaching: The Elephant and Castle on the Brighton Road

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 1/4 x 30 1/2in. (54 x 77.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Coaching: Stage Coach Travelling

Creator:: Richard Rosenberg, active 1828–1848
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/4 x 18 1/4in. (33.7 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Coaching: The Royal Mails Preparing to Start for the West of England

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 3/4 x 25 3/8in. (50.2 x 64.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. [Coaching]: Highgate Tunnel

Creator:: George Hunt, active 1820–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Coaching: The Royal Mails Starting from the General Post Office, London

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 27 x 20in. (68.6 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Omnibus

Creator:: Charles Hunt, 1803–1877
Date:: 1835
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 10 13/16 x 14 3/4in. (27.5 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Coaching: The Blenheim, Leaving the Star Hotel, Oxford

Creator:: Frederick James Havell, 1801–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21in. (34.9 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Fleet of the City Steam Boats Passing in Review Order off Chalsea on the London Annual Commemoration

Creator:: Edwin Jewitt, active 1855
Date:: ca. 1850
Materials & Techniques:: Hand-colored tinted lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Pontysyllte Aqueduct, North Wales

Creator:: Francis Jukes, 1747–1812
Date:: 1806
Materials & Techniques:: Hand-colored aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Plate II: London, the Pool and the Tower (from William Daniell's Six Views of London; Thames side)

Creator:: William Daniell, 1769–1837
Date:: 1804
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "Building Retaining Wall and Church near Park Street, Camden Town, Sept. 17, 1836"

Creator:: John Cooke Bourne, 1814–1896
Date:: 1838
Materials & Techniques:: Tinted lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "Building the Stationary Engine House, Camden Town, April 26th 1837"

Creator:: John Cooke Bourne, 1814–1896
Date:: 1839
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)

Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)

Creator:: S. G. Hughes, active 1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 25in. (22.9 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. View of the Excavated Grounds for the Highgate Archway

Creator:: John Hill, 1770–1850
Date:: 1813
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 3/8 x 21 5/8in. (36.5 x 54.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Ansicht vom Schact und Tunnel unter Themse zu London

Creator:: Carl Trautmann, active 1835
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 23 1/8 × 26 5/8 inches (58.7 × 67.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Messrs. Truman, Hanbury, Burton & Co.'s Brewery

Creator:: unknown artist
Date:: 1842
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 19 3/4 x 24 5/8in. (50.2 x 62.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Royal Exchange and the Bank of England

Creator:: Edmund Walker, active 1836–died 1882
Date:: 1852
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Swan Stairs, London Bridge

Creator:: George Johann Scharf, 1788–1860
Date:: 1841
Materials & Techniques:: Watercolor over graphite, with gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 x 11 3/8in. (21.1 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Fishmonger's Hall and London Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: 1832
Materials & Techniques:: Watercolor and pen and black ink and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 3/8 × 20 1/2 inches (31.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Building of London Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 23 7/8 inches (34.3 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Kingston Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: 1832
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 22 1/4 inches (32.1 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Fore's Contrasts: The Guard of 1852 ...The Guard of 1832

Creator:: John Harris, 1811–1865
Date:: 1852
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 1/8 x 23 3/4in. (41 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. [Coaching] Stage Waggon

Creator:: James Baily, active 1815–1834
Date:: 1820
Materials & Techniques:: Aquatint, printed in color
Dimensions:: Sheet: 14 15/16 x 16 7/8in. (37.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. [Coaching ] The Road-Side

Creator:: after Charles Rosenberg, active 1828–1848
Date:: 1833
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 21 1/4 x 30 1/8in. (54 x 76.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Talbot Inn, Borough

Creator:: Thomas Hosmer Shepherd, 1792–1864
Materials & Techniques:: Pen and brown ink and brown wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Quadrant, Regent Street

Creator:: Edmund Walker, active 1836–died 1882
Date:: 1852
Materials & Techniques:: Hand-colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Fore's Contrasts: The Driver of 1832 ...The Driver of 1852

Creator:: John Harris, 1811–1865
Date:: 1852
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 7/8 x 9 7/8in. (32.7 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

Creator:: Charles Hunt, 1803–1877
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 17 1/4in. (34.6 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Mail Coach by Moonlight

Creator:: Charles Hunt, 1803–1877
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 1/4in. (21.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Coaching: The Mail Coach in a Flood

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 7/8in. (33.3 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Coaching: Mail

Creator:: George Hunt, active 1820–1840
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/4 x 19 7/8in. (32.4 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Barouche

Creator:: M. Egerton, active 1821–1828
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 x 19 3/4in. (32.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Embankment and North End of Blackfriars Bridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Rainy Night, Charing Cross Station

Creator:: Print made by Joseph Pennell, 1860–1926
Date:: 1886
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

68. A View of the Horse Guards, Whitehall

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Baker Street Station, Metropolitan Railway

Creator:: Samuel John Hodson, 1836–1908
Date:: 1863
Materials & Techniques:: Watercolor, gouache, pen and black ink with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 23 7/8 inches (43.5 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Belah Viaduct

Creator:: John Osborn Brown, active 1868
Date:: 1869
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 37 5/8 inches (52.7 × 95.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Railway Station

Creator:: John Osborn Brown, active 1868
Date:: 1868
Materials & Techniques:: Watercolor, gouache, graphite, and pen and black ink on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 37 3/4 inches (52.7 × 95.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

On-site Access Accessible by appointment in the Study Room

Period 19th century

Exhibition History Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)

Search Results

1. Hay and Log Barges on the Conway

2. Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry

3. View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office

4. Arcades Ambe

5. View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock

6. Railway Office, Liverpool

7. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

8. Opening of the Liverpool and Manchester Railway

9. Bridge over the Irwell and Entrance into Manchester

10. The Iron Bridge, Coalbrookdale

11. View on the Line of the Liverpool and Manchester Railway

12. The Viaduct over the Sankey Canal

13. Chat Moss

14. Entrance to Brentford

15. Interior of a Bus

16. View of Old London Bridge

17. John Gilpin in the Uxbridge Passage Boat

18. Twenty Minutes Late!! No. 2

19. A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829

20. Riding [a pair]: 2. Tilbury Fort.

21. Coaching [a pair]: 2. Arrival of the Stage Coach

22. Unloading the Luggage From The Exeter Coach

23. Mother Bundle in a Rage or Too late for the Stage

24. London Street Tramways, Passing in front of Scane Chruch, Marylebone Road

25. The Highgate Archway from the Turnpike Gate at Holloway

26. Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)

27. View of the Intersection Bridge on the line of St. Helen's & Runcorn Gap Railway, Crossing the Liverpool and Manchester Railway near the Foot of the Sutton Inclined Plane

28. The Bruce Passing the Peveril Coach and Manchester Mail

29. A Bath Coach

30. A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829

31. Gurney's New Steam Carriage

32. The Age, Brighton Coach, at the Bull and Mouth Regent Circus

33. Stage Coach

34. Coaching: The Elephant and Castle on the Brighton Road

35. Coaching: Stage Coach Travelling

36. Coaching: The Royal Mails Preparing to Start for the West of England

37. [Coaching]: Highgate Tunnel

38. Coaching: The Royal Mails Starting from the General Post Office, London

39. Omnibus

40. Coaching: The Blenheim, Leaving the Star Hotel, Oxford

41. The Fleet of the City Steam Boats Passing in Review Order off Chalsea on the London Annual Commemoration

42. Pontysyllte Aqueduct, North Wales

43. Plate II: London, the Pool and the Tower (from William Daniell's Six Views of London; Thames side)

44. "Building Retaining Wall and Church near Park Street, Camden Town, Sept. 17, 1836"

45. "Building the Stationary Engine House, Camden Town, April 26th 1837"

46. Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)

47. View of the Excavated Grounds for the Highgate Archway

48. Ansicht vom Schact und Tunnel unter Themse zu London

49. Messrs. Truman, Hanbury, Burton & Co.'s Brewery

50. The Royal Exchange and the Bank of England

51. Swan Stairs, London Bridge

52. Fishmonger's Hall and London Bridge

53. The Building of London Bridge

54. Kingston Bridge

55. Fore's Contrasts: The Guard of 1852 ...The Guard of 1832

56. [Coaching] Stage Waggon

57. [Coaching ] The Road-Side

58. The Talbot Inn, Borough

59. The Quadrant, Regent Street

60. Fore's Contrasts: The Driver of 1832 ...The Driver of 1852

61. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

62. Mail Coach by Moonlight

63. Coaching: The Mail Coach in a Flood

64. Coaching: Mail

65. Barouche

66. The Embankment and North End of Blackfriars Bridge

67. Rainy Night, Charing Cross Station

68. A View of the Horse Guards, Whitehall

69. Baker Street Station, Metropolitan Railway

70. Belah Viaduct

71. Railway Station