Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)
1775
102
John Hamilton Mortimer, 1740–1779
Ophelia, from Hamlet, Act IV, Scene 7
1775
103
John Hamilton Mortimer, 1740–1779
Revengeful Monsters (two states)
104
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
105
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
106
Samuel Ireland, active 1760–died 1800
Banditti Regaling
107
Robert Blyth, 1750–1784
Banditti... Representing Banditti Variously Employed: Returning Wounded from Battle
1779
108
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Stripping the Slain
1779
109
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
110
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
111
Robert Blyth, 1750–1784
Fisherman
1780
112
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
113
Simon François Ravenet, 1706–1774
Life Class
114
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
115
Samuel Ireland, active 1760–died 1800
Three etchings laid down on one sheet: Two Mythological Figures
116
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
117
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
118
Robert Blyth, 1750–1784
Caius Marius sitting on the Ruins of Carthage (Number 34 of Catalogue Mortimer Exhibition 1968)
1782
119
Robert Blyth, 1750–1784
Portraits of Two Historical or Biblical Characters (a pair)
1782
120
Robert Blyth, 1750–1784
Banditti Conversing
1779
121
John Hamilton Mortimer, 1740–1779
Presentation of the Lusiad to Britannia
122
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
123
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
124
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
125
Robert Blyth, 1750–1784
Two untitled etchings laid down on one sheet: Man in Cloak and Woman with Fruit Seated, Overlooking a Bay
1781
126
Print made by Robert Blyth, 1750–1784
Belisarius
1780
127
Print made by Robert Blyth, 1750–1784
Belisarius
1780
128
Joseph Haynes, 1760–1829
Saint Paul Preaching to the Britons
1780
129
Joseph Haynes, 1760–1829
A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)
1784
130
Robert Blyth, 1750–1784
Homer Repeating his Verses to the Greeks (number 41 of Catalogue Mortimer Exhibition 1968)
1781
131
William Wynne Ryland, 1732–1783
The Ratifying Magna Charta by King John (number 37 of Catalogue Mortimer Exhibition 1968)
132
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
133
Print made by Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Conversing with a Captive
1779
134
Francesco Bartolozzi, 1728–1815
The Death of Sir Philip Sydney
1788
135
Samuel Ireland, active 1760–died 1800
Doctors, Birds, Dog, Rat and Skeleton attending a Corpse
136
Anthony Walker, 1726–1765
Marcus Curius Dentatus rejecting the Bribes of the Samnites
137
Samuel Ireland, active 1760–died 1800
Two Men beside a Water Jar (Laid down on the same sheet as B1977.14.12075)
138
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
139
Samuel Ireland, active 1760–died 1800
The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)
140
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
141
Simon François Ravenet, 1706–1774
The Origin of Drawing (number 47 of Catalogue Mortimer Exhibition 1968)
142
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
143
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
144
Joseph Haynes, 1760–1829
Banditti
1780
145
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
146
John Hamilton Mortimer, 1740–1779
Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)
147
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
148
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
149
unknown artist
Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)
150
Robert Blyth, 1750–1784
Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
1782
151
John Hamilton Mortimer, 1740–1779
Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
152
Print made by Robert Blyth, 1750–1784
The Captive
1781
153
John Hamilton Mortimer, 1740–1779
Comedy
1778
154
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
155
John Hamilton Mortimer, 1740–1779
An Academy
ca. 1773
156
Engraved by Francis Chesham, 1749–1806
Nicholas the Carpenter and Robin, from "The Canterbury Tales"