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Period 18th century

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Creator Rowlandson, Thomas, 1756–1827

Remove constraint Creator: Rowlandson, Thomas, 1756–1827

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1. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Journalist, with a view of Auchinleck or the Land of Stones

The Journalist, with a view of Auchinleck or the Land of Stones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

6. Set of eight (2): Cries of London

Set of eight (2): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Set of eight (3): Cries of London

Set of eight (3): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Set of eight (4): Cries of London

Set of eight (4): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Set of eight (6): Cries of London

Set of eight (6): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Set of eight (7): Cries of London

Set of eight (7): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Set of Sixteen: Outlines of Figure and Landscapes

Set of Sixteen: Outlines of Figure and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Return of the Fleet to Great Yarmouth in 1797

The Return of the Fleet to Great Yarmouth in 1797
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Court of Common Pleas, Westminster Hall

Court of Common Pleas, Westminster Hall
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

19. The Recruiting Officer

The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A French Family

A French Family
Creator:
Samuel Alken, 1756–1815
Date:
1786
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Entrance from Mile End or White Chapel Turnpike

Entrance from Mile End or White Chapel Turnpike
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Castle Baynard Volunteer

Castle Baynard Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Langbourn Ward Volunteer

Langbourn Ward Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Candlewick Ward Association

Candlewick Ward Association
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's

Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Light House Volunteers of London and Westminster

The Light House Volunteers of London and Westminster
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Vaux-Hall

Vaux-Hall
Creator:
Robert Pollard, 1755–1838
Date:
1785
Materials & Techniques:
Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Bishopsgate Volunteer

Bishopsgate Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Vauxhall

Vauxhall
Creator:
unknown artist
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Dengate Ward Volunteer

Dengate Ward Volunteer
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Advantage of Shifting the Leg

The Advantage of Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Box Lobby Loungers

Box Lobby Loungers
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Etching and stipple
Dimensions:
Sheet: 13 3/8 x 22 5/8in. (34 x 57.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Soldiers Cooking

Soldiers Cooking
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Soldiers Recreating

Soldiers Recreating
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Heads: Philosophorum

Heads: Philosophorum
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. An Italian Family

An Italian Family
Creator:
Samuel Alken, 1756–1815
Date:
1785
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 16 1/4 x 21 3/4in. (41.3 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Bucks of the First Head

Bucks of the First Head
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. A Pier at Amsterdam (Version A)

A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Bank

The Bank
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Sadlers Sharp Shooters

Sadlers Sharp Shooters
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Encampment in Hyde Park

The Encampment in Hyde Park
Creator:
Formerly Thomas Rowlandson, 1756–1827
Date:
1781
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Prize Fight

The Prize Fight
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Pigs at a Trough

Pigs at a Trough
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 9/16 x 6 1/4 inches (9 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. A Dutch Packet in a Rising Breeze

A Dutch Packet in a Rising Breeze
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Comforts of Bath: The Bath

Comforts of Bath: The Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Breakfast before the Hunt

Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Fox-Hunting [set of six]: 2. The Chase

Fox-Hunting [set of six]: 2. The Chase
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1787 and 1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Fox-Hunting [set of six]: 4. The Refreshment

Fox-Hunting [set of six]: 4. The Refreshment
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Fall of Dagon - or Rare News for Leadenhall Street

The Fall of Dagon - or Rare News for Leadenhall Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Fox-Hunting [set of six]: 6. The Dinner

Fox-Hunting [set of six]: 6. The Dinner
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1787 and 1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Racing [set of four]: The High Mettled Racer. 3. The Hack

Racing [set of four]: The High Mettled Racer. 3. The Hack
Creator:
John Hassell, 1767–1825
Date:
1789
Materials & Techniques:
Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:
Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Racing [set of four]: The High Mettled Racer. 2. The Hunter

Racing [set of four]: The High Mettled Racer. 2. The Hunter
Creator:
John Hassell, 1767–1825
Date:
1789
Materials & Techniques:
Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:
Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Fox-Hunting [set of six]: 3. The Death of the Fox

Fox-Hunting [set of six]: 3. The Death of the Fox
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Racing [set of four]: The High Mettled Racer. 4. The Cart-horse

Racing [set of four]: The High Mettled Racer. 4. The Cart-horse
Creator:
John Hassell, 1767–1825
Date:
1789
Materials & Techniques:
Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:
Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Racing [set of six]: 3.Mounting

Racing [set of six]: 3.Mounting
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Racing [set of six]: 2. Weighing

Racing [set of six]: 2. Weighing
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion

Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Racing [set of six]: 5. Running out of the Course

Racing [set of six]: 5. Running out of the Course
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Racing [set of six]: 6. Betting

Racing [set of six]: 6. Betting
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Racing [set of six]: 4. Between Heats

Racing [set of six]: 4. Between Heats
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf

Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Set of eight with title-page. 'Foreign and Domestick Animals.' 6. The Hyena

Set of eight with title-page. 'Foreign and Domestick Animals.' 6. The Hyena
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness

Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf

Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Set of eight with title-page. 'Foreign and Domestick Animals.' 4. The Tiger

Set of eight with title-page. 'Foreign and Domestick Animals.' 4. The Tiger
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Set of eight with title-page. 'Foreign and Domestick Animals.' 8. The Antelope

Set of eight with title-page. 'Foreign and Domestick Animals.' 8. The Antelope
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Set of eight with title-page. 'Foreign and Domestick Animals.' 7. The Persian Lynx

Set of eight with title-page. 'Foreign and Domestick Animals.' 7. The Persian Lynx
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Westminster Watchman

The Westminster Watchman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Fox-hunting [a pair]: 2. Four O'Clock in Town

Fox-hunting [a pair]: 2. Four O'Clock in Town
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 1/4 x 14 1/2in. (28.6 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Fox-Hunting [set of six]: 5. The Return

Fox-Hunting [set of six]: 5. The Return
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. The Fall of Dagon or Rare News for Leadenhall Street

The Fall of Dagon or Rare News for Leadenhall Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Secret Influence directing the new Parliament

Secret Influence directing the new Parliament
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Westminster Watchman

The Westminster Watchman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Mr. H. Angelo's Fencing Academy

Mr. H. Angelo's Fencing Academy
Creator:
Charles Rosenberg, active 1790–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Fox-Hunting [set of six]: 1. Going Out in the Morning

Fox-Hunting [set of six]: 1. Going Out in the Morning
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

Racing [set of four]: The High Mettled Racer. 1. The Racehorse
Creator:
John Hassell, 1767–1825
Date:
1789
Materials & Techniques:
Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:
Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. An Imperial Stride!

An Imperial Stride!
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/16 x 14 11/16in. (28.4 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. A New Insect

A New Insect
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/4 x 7 1/4in. (28.6 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon

Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Love Letter

The Love Letter
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 7 9/16 inches (27.9 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Cut Two and Right Protect

Cut Two and Right Protect
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Providence—The Protection of Drunken Men

Providence—The Protection of Drunken Men
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1784
Materials & Techniques:
Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Frame: 8 1/8 × 10 5/8 × 1 1/8 inches (20.6 × 27 × 2.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Comforts of Bath: Gouty Gourmands at Dinner

Comforts of Bath: Gouty Gourmands at Dinner
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Interior of a Dressing Room with Jack Bannister

Interior of a Dressing Room with Jack Bannister
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 8 5/16 inches (12.7 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Jack Bannister in his Dressing Room

Jack Bannister in his Dressing Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1783
Materials & Techniques:
Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 8 11/16 x 6 7/16 inches (22.1 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. George Morland

George Morland
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1780 and 1799
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 6 3/16 inches (25.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Female Dancer with a Tambourine

Female Dancer with a Tambourine
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, wove paper, mounted on thick, moderately textured, wove paper
Dimensions:
Sheet: 11 11/16 x 8 11/16 inches (29.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Modern Grace...The Ballet of Alonzo e Cara

Modern Grace...The Ballet of Alonzo e Cara
Creator:
Thomas Rowlandson, 1756–1827
Date:
1796
Materials & Techniques:
Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Mount: 9 7/8 x 11 3/8 inches (25.1 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. The Word Eater

The Word Eater
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Blue and Buf Loyalty

Blue and Buf Loyalty
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 12 7/8in. (18.4 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. The Modern Egbert, or the King of Kings

The Modern Egbert, or the King of Kings
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 13 1/8in. (21 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Suitable Restrictions

Suitable Restrictions
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Brothers of the Whip

Brothers of the Whip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1781
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 x 9 1/4in. (17.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection