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James Wyatt Cobham Hall, Kent: Plan and Elevations of the Music Hall
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
unknown artist Design for Herms
unknown artist
Design for Herms
undated
unknown artist Design for a Wine Cooler
unknown artist
Design for a Wine Cooler
undated
unknown artist Gate House Battle Abbey
unknown artist
Gate House Battle Abbey
undated
unknown artist Design for a Classical House
unknown artist
Design for a Classical House
undated
unknown artist Hinton St. George, Somerset: Plan of the Vestibule
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
Sawrey Gilpin Book of horse portraits
Sawrey Gilpin, 1733–1807
Book of horse portraits
ca. 1760
Jean B. C. Chatelain Classical landscape with figures resting on road beside lake
Jean B. C. Chatelain, 1710–1771
Classical landscape with figures resting on road beside lake
1741
Jean B. C. Chatelain Classical landscape with travellers approaching a ferry in a storm
Jean B. C. Chatelain, 1710–1771
Classical landscape with travellers approaching a ferry in a storm
1742
Francois Vivares Classical landscape with figures on a road by a ravine
Francois Vivares, 1709–1780
Classical landscape with figures on a road by a ravine
1742
Joseph Wood Classical landscape with lovers beside a river
Print made by Joseph Wood, 1720–1763 or 1764
Classical landscape with lovers beside a river
1743
Richard Banks Harraden New Building of St. John's from the Gardens, Cambridge
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
Richard Banks Harraden Corpus Christi College, Cambridge
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
John Hoppner Portrait Study of a Young Man, possibly Frank Issom
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
undated
William Hodges View of Chinsura from the River
William Hodges, 1744–1797
View of Chinsura from the River
ca. 1781
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
Stephen Riou Design for a villa: `The Ground Plan and Elevations of a Villa'
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
Stephen Riou Design for a substantial villa. The `Forefront' and profile plan of the front elevation.
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
James Malton Design for a Castellated Hunting Lodge
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
J. J. Rurie In the Queen's Prison July / 1843
J. J. Rurie, active 1843
In the Queen's Prison July / 1843
1843
James Clark Cockfighting
James Clark, 19th century
Cockfighting
1820
James Clark Cockfighting
James Clark, 19th century
Cockfighting
1820
J. A. Poulter The Break of Day – Bury Church Huntingdon
Print made by J. A. Poulter, active 1840–1881
The Break of Day – Bury Church Huntingdon
1881
Percy Thomas London – The City – in Thames Street
Print made by Percy Thomas, 1846–1922
London – The City – in Thames Street
ca. 1881
Percy Thomas A Present
Print made by Percy Thomas, 1846–1922
A Present
ca. 1881
Hayman Rooke Figure in Forest
Hayman Rooke, 1722–1806
Figure in Forest
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
William Sharp The Late Mrs. Cumberbatch (Volume of 102 lithographs)
Print made by William Sharp, active 1819–ca. 1837
The Late Mrs. Cumberbatch (Volume of 102 lithographs)
1829
Richard James Lane Mrs. Siddons
Richard James Lane, 1800–1872
Mrs. Siddons
1830
Richard James Lane Chas. Kemble Esqr., 1798
Richard James Lane, 1800–1872
Chas. Kemble Esqr., 1798
1830
Richard James Lane From a Drawing in the Possession of Mrs. Farr
Richard James Lane, 1800–1872
From a Drawing in the Possession of Mrs. Farr
1830
William Sharp A Study, 1830
Print made by William Sharp, active 1819–ca. 1837
A Study, 1830
1830
Richard James Lane Sir Toby Belch, 1800
Richard James Lane, 1800–1872
Sir Toby Belch, 1800
between 1815 and 1838
Richard James Lane Lady Charlotte Campbell, 1795
Richard James Lane, 1800–1872
Lady Charlotte Campbell, 1795
1830
William Sharp Master Williams Wynn (Volume of 102 lithographs)
Print made by William Sharp, active 1819–ca. 1837
Master Williams Wynn (Volume of 102 lithographs)
1830
Richard James Lane Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
Richard James Lane La Nuit et Le Jour (Volume of 102 lithographs)
Richard James Lane, 1800–1872
La Nuit et Le Jour (Volume of 102 lithographs)
1828
Richard James Lane Love, Jealously, Revenge and Despair
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
Richard James Lane The Origin of a Painter (Volume of 102 lithographs)
Richard James Lane, 1800–1872
The Origin of a Painter (Volume of 102 lithographs)
Richard James Lane From a Sketch (Volume of 102 lithographs)
Richard James Lane, 1800–1872
From a Sketch (Volume of 102 lithographs)
1828
Richard James Lane Lord Cosmo Russell (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Lord Cosmo Russell (Volume of 102 lithographs)
1828
Richard James Lane From a Drawing (Volume of 102 lithographs)
Richard James Lane, 1800–1872
From a Drawing (Volume of 102 lithographs)
1828
Richard James Lane The Lady Caroline Lascelles, The Lady Georgina Agar Elis and the Countess Gower (Volume of 102 lithographs)
Richard James Lane, 1800–1872
The Lady Caroline Lascelles, The Lady Georgina Agar Elis and the Countess Gower (Volume of 102 lithographs)
1829
Richard James Lane Girl and Parrot (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
Richard James Lane Lord Alexander George Russell (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Lord Alexander George Russell (Volume of 102 lithographs)
1826
Richard James Lane Miss M. Tree (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Miss M. Tree (Volume of 102 lithographs)
1826
Richard James Lane La Rosa Parlante (Volume of 102 lithographs)
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
Richard James Lane The Faithful Friend (Volume of 102 lithographs)
Richard James Lane, 1800–1872
The Faithful Friend (Volume of 102 lithographs)
1828
Richard James Lane The Unwelcome Guest (Volume of 102 lithographs)
Richard James Lane, 1800–1872
The Unwelcome Guest (Volume of 102 lithographs)
1826
James Ward The Poultry Market
James Ward, 1769–1859
The Poultry Market
1803
William Pritchard [Shooting]: A View of his Grace the Duke of Kingston's House at Thoresby
Print made by William Pritchard, born ca. 1707
[Shooting]: A View of his Grace the Duke of Kingston's House at Thoresby
undated
John Harris Goodwood/ The Race for the Goodwood Stakes
John Harris, 1811–1865
Goodwood/ The Race for the Goodwood Stakes
1846
Claude Du Bosc [Racing] Set of four: (1) View of a Horse-Match over the Long-Course at Newmarket
Claude Du Bosc, c.1711–1740
[Racing] Set of four: (1) View of a Horse-Match over the Long-Course at Newmarket
ca. 1725
T. Sympson [Racing] Set of four: (2) View of the Round-Course or Plate-Course with divers Jockeys & Horses in different Actions and Postures, going to Start for the King's Plate
T. Sympson, active 1725
[Racing] Set of four: (2) View of the Round-Course or Plate-Course with divers Jockeys & Horses in different Actions and Postures, going to Start for the King's Plate
ca. 1725
James Pollard Panoramic View of British Horse Racing; The Race for the St. Leger Stakes of 1812
James Pollard, 1792–1867
Panoramic View of British Horse Racing; The Race for the St. Leger Stakes of 1812
1816
Peter Tillemans [Racing] Set of four engravings: (4) Plate of the Fox Chase
Peter Tillemans, 1684–1734
[Racing] Set of four engravings: (4) Plate of the Fox Chase
ca. 1725
John Scott [Racing] 'Orville' (Late the Property of his R. H. George Prince of Wales)
John Scott, 1774–1828
[Racing] 'Orville' (Late the Property of his R. H. George Prince of Wales)
1812
Henry Thomas Alken The Eagle Paris and Dover [sic] Coach
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
Charles Turner [Racing] Mr. Samuel Chiffney
Charles Turner, 1774–1857
[Racing] Mr. Samuel Chiffney
1807
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
James Ward Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
John Frederick Tayler Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
Richard Redgrave Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17
Richard Redgrave, 1804–1888
Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17
1867
Sir John Everett Millais Etchings for the Art Union of London by the Etching Club: The Baby House, Number 9
Sir John Everett Millais, 1829–1896
Etchings for the Art Union of London by the Etching Club: The Baby House, Number 9
1872
James Clarke Hook Etchings for the Art Union of London by the Etching Club: Sea Urchins, Number 18
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Sea Urchins, Number 18
Charles West Cope Etchings for the Art Club of London by the Etching Club: Summer Dreams, Number 20
Charles West Cope, 1811–1890
Etchings for the Art Club of London by the Etching Club: Summer Dreams, Number 20
George Bernard O'Neill Etchings for the Art Union of London by the Etching Club: Nestlings, Number 19
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: Nestlings, Number 19
William Strang Macbeth's Witches
Print made by William Strang, 1859–1921
Macbeth's Witches
1882
William Sharp Mrs. Dottin
Print made by William Sharp, active 1819–ca. 1837
Mrs. Dottin
1829
Richard James Lane Chas. Kemble Esqr.
Richard James Lane, 1800–1872
Chas. Kemble Esqr
1805
Richard James Lane Miss Cecilia Siddons, 1798
Richard James Lane, 1800–1872
Miss Cecilia Siddons, 1798
1830
Richard James Lane Mrs. John Kemble
Richard James Lane, 1800–1872
Mrs. John Kemble
Richard James Lane Miss Siddons, 1800
Richard James Lane, 1800–1872
Miss Siddons, 1800
1830
Richard James Lane Miss Siddons, 1797
Richard James Lane, 1800–1872
Miss Siddons, 1797
1830
William Sharp Maternal Affection (Volume of 102 lithographs)
Print made by William Sharp, active 1819–ca. 1837
Maternal Affection (Volume of 102 lithographs)
between 1821 and 1838
William Sharp Miss Adelaide Campbell, daughter of Lady Charlotte Bury (Volume of 102 lithographs)
Print made by William Sharp, active 1819–ca. 1837
Miss Adelaide Campbell, daughter of Lady Charlotte Bury (Volume of 102 lithographs)
1834
Richard James Lane Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
Richard James Lane Studies from Nature (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Studies from Nature (Volume of 102 lithographs)
1826
Richard James Lane Don Quixote and Sancho Panza (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
Richard James Lane The Duke of Wellington
Richard James Lane, 1800–1872
The Duke of Wellington
1828
Richard James Lane A Turk (Volume of 102 lithographs)
Richard James Lane, 1800–1872
A Turk (Volume of 102 lithographs)
1829
Richard James Lane Seated Woman Reading (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Seated Woman Reading (Volume of 102 lithographs)
Richard James Lane The Duchess of Kent (Volume of 102 lithographs)
Richard James Lane, 1800–1872
The Duchess of Kent (Volume of 102 lithographs)
1829
Richard James Lane Impudence/ Impudence (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
Richard James Lane Madame Vestris as a Broom Girl (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Madame Vestris as a Broom Girl (Volume of 102 lithographs)
William Sharp The Young Commodore
Print made by William Sharp, active 1819–ca. 1837
The Young Commodore
John Hayter Act 2nd Scene 12 (Volume of 102 lithographs)
John Hayter, 1800–1895
Act 2nd Scene 12 (Volume of 102 lithographs)
William Sharp Amy Robsart (Volume of 102 Lithographs)
Print made by William Sharp, active 1819–ca. 1837
Amy Robsart (Volume of 102 Lithographs)
1830
George Townly Stubbs The Lion and Stag
George Townly Stubbs, 1748–1815
The Lion and Stag
1770
George Townly Stubbs The Horse and Lion
George Townly Stubbs, 1748–1815
The Horse and Lion
1770
John Murphy A Tiger
John Murphy, ca. 1748–1820
A Tiger
1798
Thomas Miles Richardson Sr. Wooden Jetty
Thomas Miles Richardson Sr., 1784–1848
Wooden Jetty
undated
John Calcott Horsley Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
John Hayter Tamehameha second His Majesty the King of the Sandwich Islands (Volume of 102 lithographs)
John Hayter, 1800–1895
Tamehameha second His Majesty the King of the Sandwich Islands (Volume of 102 lithographs)
1824
Richard James Lane The Princess Victoria (Volume of 102 lithographs)
Richard James Lane, 1800–1872
The Princess Victoria (Volume of 102 lithographs)
Sir George Hayter Madame Pasta as Medea (Volume of 102 lithographs)
Sir George Hayter, 1792–1871
Madame Pasta as Medea (Volume of 102 lithographs)
undated
Richard James Lane Mademoiselle Taglioni (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Mademoiselle Taglioni (Volume of 102 lithographs)
Sir George Hayter Madame Caradori as Creusa (Volume of 102 lithographs)
Sir George Hayter, 1792–1871
Madame Caradori as Creusa (Volume of 102 lithographs)
undated
John Hayter Scene IX; from a play by Euripides (Volume of 102 lithographs)
John Hayter, 1800–1895
Scene IX; from a play by Euripides (Volume of 102 lithographs)