Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
402
unknown artist
Design for Herms
undated
403
unknown artist
Design for a Wine Cooler
undated
404
unknown artist
Gate House Battle Abbey
undated
405
unknown artist
Design for a Classical House
undated
406
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
407
Sawrey Gilpin, 1733–1807
Book of horse portraits
ca. 1760
408
Jean B. C. Chatelain, 1710–1771
Classical landscape with figures resting on road beside lake
1741
409
Jean B. C. Chatelain, 1710–1771
Classical landscape with travellers approaching a ferry in a storm
1742
410
Francois Vivares, 1709–1780
Classical landscape with figures on a road by a ravine
1742
411
Print made by Joseph Wood, 1720–1763 or 1764
Classical landscape with lovers beside a river
1743
412
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
413
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
414
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
undated
415
William Hodges, 1744–1797
View of Chinsura from the River
ca. 1781
416
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
417
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
418
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
419
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
420
J. J. Rurie, active 1843
In the Queen's Prison July / 1843
1843
421
James Clark, 19th century
Cockfighting
1820
422
James Clark, 19th century
Cockfighting
1820
423
Print made by J. A. Poulter, active 1840–1881
The Break of Day – Bury Church Huntingdon
1881
424
Print made by Percy Thomas, 1846–1922
London – The City – in Thames Street
ca. 1881
425
Print made by Percy Thomas, 1846–1922
A Present
ca. 1881
426
Hayman Rooke, 1722–1806
Figure in Forest
427
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
428
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
429
Print made by William Sharp, active 1819–ca. 1837
The Late Mrs. Cumberbatch (Volume of 102 lithographs)
1829
430
Richard James Lane, 1800–1872
Mrs. Siddons
1830
431
Richard James Lane, 1800–1872
Chas. Kemble Esqr., 1798
1830
432
Richard James Lane, 1800–1872
From a Drawing in the Possession of Mrs. Farr
1830
433
Print made by William Sharp, active 1819–ca. 1837
A Study, 1830
1830
434
Richard James Lane, 1800–1872
Sir Toby Belch, 1800
between 1815 and 1838
435
Richard James Lane, 1800–1872
Lady Charlotte Campbell, 1795
1830
436
Print made by William Sharp, active 1819–ca. 1837
Master Williams Wynn (Volume of 102 lithographs)
1830
437
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
438
Richard James Lane, 1800–1872
La Nuit et Le Jour (Volume of 102 lithographs)
1828
439
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
440
Richard James Lane, 1800–1872
The Origin of a Painter (Volume of 102 lithographs)
441
Richard James Lane, 1800–1872
From a Sketch (Volume of 102 lithographs)
1828
442
Richard James Lane, 1800–1872
Lord Cosmo Russell (Volume of 102 lithographs)
1828
443
Richard James Lane, 1800–1872
From a Drawing (Volume of 102 lithographs)
1828
444
Richard James Lane, 1800–1872
The Lady Caroline Lascelles, The Lady Georgina Agar Elis and the Countess Gower (Volume of 102 lithographs)
1829
445
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
446
Richard James Lane, 1800–1872
Lord Alexander George Russell (Volume of 102 lithographs)
1826
447
Richard James Lane, 1800–1872
Miss M. Tree (Volume of 102 lithographs)
1826
448
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
449
Richard James Lane, 1800–1872
The Faithful Friend (Volume of 102 lithographs)
1828
450
Richard James Lane, 1800–1872
The Unwelcome Guest (Volume of 102 lithographs)
1826
451
James Ward, 1769–1859
The Poultry Market
1803
452
Print made by William Pritchard, born ca. 1707
[Shooting]: A View of his Grace the Duke of Kingston's House at Thoresby
undated
453
John Harris, 1811–1865
Goodwood/ The Race for the Goodwood Stakes
1846
454
Claude Du Bosc, c.1711–1740
[Racing] Set of four: (1) View of a Horse-Match over the Long-Course at Newmarket
ca. 1725
455
T. Sympson, active 1725
[Racing] Set of four: (2) View of the Round-Course or Plate-Course with divers Jockeys & Horses in different Actions and Postures, going to Start for the King's Plate
ca. 1725
456
James Pollard, 1792–1867
Panoramic View of British Horse Racing; The Race for the St. Leger Stakes of 1812
1816
457
Peter Tillemans, 1684–1734
[Racing] Set of four engravings: (4) Plate of the Fox Chase
ca. 1725
458
John Scott, 1774–1828
[Racing] 'Orville' (Late the Property of his R. H. George Prince of Wales)
1812
459
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
460
Charles Turner, 1774–1857
[Racing] Mr. Samuel Chiffney
1807
461
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
462
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
463
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
464
Richard Redgrave, 1804–1888
Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17
1867
465
Sir John Everett Millais, 1829–1896
Etchings for the Art Union of London by the Etching Club: The Baby House, Number 9
1872
466
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Sea Urchins, Number 18
467
Charles West Cope, 1811–1890
Etchings for the Art Club of London by the Etching Club: Summer Dreams, Number 20
468
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: Nestlings, Number 19
469
Print made by William Strang, 1859–1921
Macbeth's Witches
1882
470
Print made by William Sharp, active 1819–ca. 1837
Mrs. Dottin
1829
471
Richard James Lane, 1800–1872
Chas. Kemble Esqr
1805
472
Richard James Lane, 1800–1872
Miss Cecilia Siddons, 1798
1830
473
Richard James Lane, 1800–1872
Mrs. John Kemble
474
Richard James Lane, 1800–1872
Miss Siddons, 1800
1830
475
Richard James Lane, 1800–1872
Miss Siddons, 1797
1830
476
Print made by William Sharp, active 1819–ca. 1837
Maternal Affection (Volume of 102 lithographs)
between 1821 and 1838
477
Print made by William Sharp, active 1819–ca. 1837
Miss Adelaide Campbell, daughter of Lady Charlotte Bury (Volume of 102 lithographs)
1834
478
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
479
Richard James Lane, 1800–1872
Studies from Nature (Volume of 102 lithographs)
1826
480
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
481
Richard James Lane, 1800–1872
The Duke of Wellington
1828
482
Richard James Lane, 1800–1872
A Turk (Volume of 102 lithographs)
1829
483
Richard James Lane, 1800–1872
Seated Woman Reading (Volume of 102 lithographs)
484
Richard James Lane, 1800–1872
The Duchess of Kent (Volume of 102 lithographs)
1829
485
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
486
Richard James Lane, 1800–1872
Madame Vestris as a Broom Girl (Volume of 102 lithographs)
487
Print made by William Sharp, active 1819–ca. 1837
The Young Commodore
488
John Hayter, 1800–1895
Act 2nd Scene 12 (Volume of 102 lithographs)
489
Print made by William Sharp, active 1819–ca. 1837
Amy Robsart (Volume of 102 Lithographs)
1830
490
George Townly Stubbs, 1748–1815
The Lion and Stag
1770
491
George Townly Stubbs, 1748–1815
The Horse and Lion
1770
492
John Murphy, ca. 1748–1820
A Tiger
1798
493
Thomas Miles Richardson Sr., 1784–1848
Wooden Jetty
undated
494
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
495
John Hayter, 1800–1895
Tamehameha second His Majesty the King of the Sandwich Islands (Volume of 102 lithographs)
1824
496
Richard James Lane, 1800–1872
The Princess Victoria (Volume of 102 lithographs)
497
Sir George Hayter, 1792–1871
Madame Pasta as Medea (Volume of 102 lithographs)
undated
498
Richard James Lane, 1800–1872
Mademoiselle Taglioni (Volume of 102 lithographs)
499
Sir George Hayter, 1792–1871
Madame Caradori as Creusa (Volume of 102 lithographs)
undated
500
John Hayter, 1800–1895
Scene IX; from a play by Euripides (Volume of 102 lithographs)