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Materials & Techniques chine collé

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Genre landscape

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Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
W. R. Smith Leicester Abbey
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
James T. Willmore Mercury and Argus
Print made by James T. Willmore, 1800–1863
Mercury and Argus
1841
James T. Willmore Mercury and Argus
Print made by James T. Willmore, 1800–1863
Mercury and Argus
1841
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
James T. Willmore Mercury and Argus
Print made by James T. Willmore, 1800–1863
Mercury and Argus
1841
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842