Creator: Rowlandson, Thomas, 1756–1827 - YCBA Collections Search Search Results

101. Corn Exchange

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. New Covent Garden Theatre

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Westminster Hall

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Magdalen Chapel

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 10 5/8in. (22.5 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. St. Margarets, Westminster

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 1/4 x 8 5/8in. (28.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. The Advantage of Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Box Lobby Loungers

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Materials & Techniques:: Etching and stipple
Dimensions:: Sheet: 13 3/8 x 22 5/8in. (34 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Soldiers Cooking

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Soldiers Recreating

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Heads: Philosophorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. An Italian Family

Creator:: Samuel Alken, 1756–1815
Date:: 1785
Materials & Techniques:: Etching with aquatint
Dimensions:: Sheet: 16 1/4 x 21 3/4in. (41.3 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Interior of a Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Bucks of the First Head

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Bucks of the First Head

Creator:: Print made by unknown artist
Materials & Techniques:: Photomechanical reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. A Pier at Amsterdam (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Undergraduate's Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. The Actresses Dressing Room at Drury Lane

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Encouragement of Arts &c, Adelphi

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 7/8 inches (27 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. West India Docks

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. The Hall of the Auction Mart

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1811
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Sadlers Sharp Shooters

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Freemasons Hill, Great Queen Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Foundling Hospital, The Chapel

Creator:: unknown artist
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Dining Hall, Asylum

Creator:: John Hill, 1770–1850
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. St. Luke's Hospital

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. The Encampment in Hyde Park

Creator:: Formerly Thomas Rowlandson, 1756–1827
Date:: 1781
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore

129. Witches in a Hayloft

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813?
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

130. A Picture of Misery

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

131. Pass-Room Bridewell

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Newgate Chapel

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Undertakers Regaling

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 21 inches (44 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. The Hall, Carlton House

Creator:: Augustus Charles Pugin, 1762–1832
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/16 × 12 1/8 inches (25.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Water Engine, Cold-Bath-Fields Prison

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 1/8 x 9 1/4in. (28.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Fire in London

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. A Bird's Eye View of Covent Garden Market

Creator:: John Bluck, active 1791–1831
Date:: 1811
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 7/8 x 21in. (42.9 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Water Engine, Cold-Bath-Field's Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. The Prize Fight

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Stag at Bay - Scene near Taplow, Berks.

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1801
Materials & Techniques:: Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. A Stage Coach Outside of the Entrance of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Pigs at a Trough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 9/16 x 6 1/4 inches (9 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. A Dutch Packet in a Rising Breeze

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Gardening

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 1/16 inches (12.1 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Picking Mulberries

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Viewing at the Royal Academy

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Comforts of Bath: The Bath

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. The Annual Sculling Race for Doggett's Coat and Badge

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. A Crowded Race Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. The Military Adventures of Johnny Newcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Fox-Hunting [set of six]: 2. The Chase

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1787 and 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Fox-Hunting [set of six]: 4. The Refreshment

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored including borders
Dimensions:: Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Vauxhall

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Colored engraving
Dimensions:: Sheet: 15 x 20in. (38.1 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

158. Untitled

Creator:: Possibly Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 9 x 7 1/4in. (22.9 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

159. The Fall of Dagon - or Rare News for Leadenhall Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. The Parson and the Clarke, No. 76

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Fox-Hunting [set of six]: 6. The Dinner

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1787 and 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Racing [set of four]: The High Mettled Racer. 3. The Hack

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored including borders
Dimensions:: Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Racing [set of four]: The High Mettled Racer. 2. The Hunter

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Fox-Hunting [set of six]: 3. The Death of the Fox

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Racing [set of four]: The High Mettled Racer. 4. The Cart-horse

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Racing [set of six]: 3.Mounting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Racing [set of six]: 2. Weighing

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Racing [set of six]: 5. Running out of the Course

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Racing [set of six]: 6. Betting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Racing [set of six]: 4. Between Heats

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Set of eight with title-page. 'Foreign and Domestick Animals.' 6. The Hyena

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Set of eight with title-page. 'Foreign and Domestick Animals.' 4. The Tiger

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Set of eight with title-page. 'Foreign and Domestick Animals.' 8. The Antelope

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Set of eight with title-page. 'Foreign and Domestick Animals.' 7. The Persian Lynx

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. The Departure

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. The Westminster Watchman

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. The Sacred page Displayed

Creator:: Print made by unknown artist
Date:: 1821
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Fox-hunting [a pair]: 2. Four O'Clock in Town

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 1/4 x 14 1/2in. (28.6 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Fox-Hunting [set of six]: 5. The Return

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. The Fall of Dagon or Rare News for Leadenhall Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Secret Influence directing the new Parliament

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. [ Caricature of two men and a woman, one of the men blowing smoke ]

Creator:: Print made by unknown artist
Date:: ca. 1823
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. The Westminster Watchman

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Mr. H. Angelo's Fencing Academy

Creator:: Charles Rosenberg, active 1790–1820
Date:: 1791
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Fox-hunting [a pair]: 1. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 11 3/4in. (22.9 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Fox-hunting: How to Twist your Neck [from 'Advice to Sportsmen']

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching
Dimensions:: Sheet: 3 1/8 x 5 1/2in. (7.9 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Fox-Hunting [set of six]: 1. Going Out in the Morning

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored including borders
Dimensions:: Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Dining Hall, Asylum

Creator:: John Hill, 1770–1850
Date:: 1808
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Rowlandson, Thomas, 1756–1827

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101. Corn Exchange

102. New Covent Garden Theatre

103. Westminster Hall

104. Magdalen Chapel

105. St. Margarets, Westminster

106. The Advantage of Shifting the Leg

107. Box Lobby Loungers

108. Soldiers Cooking

109. Soldiers Recreating

110. Heads: Philosophorum

111. An Italian Family

112. Interior of a Stable

113. Bucks of the First Head

114. Bucks of the First Head

115. A Pier at Amsterdam (Version A)

116. The Undergraduate's Room

117. The Actresses Dressing Room at Drury Lane

118. Encouragement of Arts &c, Adelphi

119. The Bank

120. West India Docks

121. The Hall of the Auction Mart

122. Sadlers Sharp Shooters

123. Freemasons Hill, Great Queen Street

124. Foundling Hospital, The Chapel

125. Dining Hall, Asylum

126. St. Luke's Hospital

127. The Encampment in Hyde Park

128. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

129. Witches in a Hayloft

130. A Picture of Misery

131. Pass-Room Bridewell

132. Newgate Chapel

133. Undertakers Regaling

134. The Hall, Carlton House

135. Water Engine, Cold-Bath-Fields Prison

136. Fire in London

137. A Bird's Eye View of Covent Garden Market

138. Water Engine, Cold-Bath-Field's Prison

139. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

140. The Prize Fight

141. Stag at Bay - Scene near Taplow, Berks.

142. A Stage Coach Outside of the Entrance of an Inn

143. Pigs at a Trough

144. A Dutch Packet in a Rising Breeze

145. Gardening

146. Picking Mulberries

147. Viewing at the Royal Academy

148. A Ball at Scarborough

149. Comforts of Bath: The Bath

150. The Annual Sculling Race for Doggett's Coat and Badge

151. A Crowded Race Meeting

152. The Military Adventures of Johnny Newcome

153. Breakfast before the Hunt

154. Fox-Hunting [set of six]: 2. The Chase

155. Fox-Hunting [set of six]: 4. The Refreshment

156. Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket

157. Vauxhall

158. Untitled

159. The Fall of Dagon - or Rare News for Leadenhall Street

160. The Parson and the Clarke, No. 76

161. Fox-Hunting [set of six]: 6. The Dinner

162. Racing [set of four]: The High Mettled Racer. 3. The Hack

163. Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton

164. Racing [set of four]: The High Mettled Racer. 2. The Hunter

165. Fox-Hunting [set of six]: 3. The Death of the Fox

166. Racing [set of four]: The High Mettled Racer. 4. The Cart-horse

167. Racing [set of six]: 3.Mounting

168. Racing [set of six]: 2. Weighing

169. Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion

170. Racing [set of six]: 5. Running out of the Course

171. Racing [set of six]: 6. Betting

172. Racing [set of six]: 4. Between Heats

173. Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf

174. Set of eight with title-page. 'Foreign and Domestick Animals.' 6. The Hyena

175. Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness