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Materials & Techniques aquatint

On-site Access Accessible by appointment in the Study Room

Joseph Mallord William Turner Junction of Severn and Wye

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Cornelis Apostool Here Nature List'ning Stood

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Charles Ansell Hamlet

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Caroline Watson Contemplation

Print made by Caroline Watson, 1760–1814

Contemplation

1790

Caroline Watson Contemplation

Print made by Caroline Watson, 1760–1814

Contemplation

1790

William Lee Hankey The Flight from Belgium

William Lee Hankey, 1869–1952

The Flight from Belgium

1914

Elizabeth Christiana Fanshawe Elizabeth Alexander

Print made by Elizabeth Christiana Fanshawe, 1778–1856

Elizabeth Alexander

1806

Robert Havell Crofton Hall, Yorkshire

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

Attributed to John Hassell, 1767–1825

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Print made by Thomas Girtin, 1775–1802

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Thomas Girtin Views of the Pantheon, taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803