Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
202
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
203
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
204
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
205
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
206
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
207
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
208
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
209
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
210
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
211
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
212
James Gillray, 1756–1815
The Bubbles of Opposition
1788
213
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
214
James Gillray, 1756–1815
The Friendly Agent
1787
215
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
216
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
217
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
218
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
219
James Gillray, 1756–1815
John Bull Triumphant
1780
220
James Gillray, 1756–1815
The Triumphant Britons
1780
221
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
222
James Gillray, 1756–1815
Jack A Both Sides!
1783
223
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
224
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
225
James Gillray, 1756–1815
Patience on a Monument
1791
226
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
227
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
228
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
229
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
230
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
231
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
232
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
233
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
234
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
235
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
236
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
237
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
238
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
239
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
240
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
241
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
242
James Gillray, 1756–1815
The Tottering Pyramid
1784
243
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
244
James Gillray, 1756–1815
The English Regency
1789
245
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
246
James Gillray, 1756–1815
The Battle of Bow-Street
1788
247
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
248
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
249
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
250
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
251
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
252
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
253
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
254
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
255
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
256
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
257
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
258
Thomas Rowlandson, 1756–1827
Filial Piety
1788
259
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
260
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
261
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
262
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
263
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
264
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
265
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
266
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
267
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
268
James Gillray, 1756–1815
United Irishmen in Training
1798
269
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
270
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
271
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
272
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
273
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
274
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
275
James Gillray, 1756–1815
John Bull Ground Down
1795
276
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
277
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
278
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
279
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
280
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
281
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
282
Print made by Joseph Brown, 19th century
James Gillray
1848
283
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
284
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
285
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
286
Charles Turner, 1774–1857
James Gillray
1819
287
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
288
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
289
James Gillray, 1756–1815
A Morning Ride
1804
290
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
291
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
292
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
293
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
294
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
295
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty