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Creator:: Engraved by Henry Pyall, 1795–1833
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. (1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire

Creator:: Dean Wolstenholme, 1757–1837
Date:: 1841
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 20 3/4in. (45.1 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Partridge Shooting

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1824
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. [Trotting] Portrait of "Driver" / This hitherto unrivalled Trotting Galloway (under fourteen hands) late the Property of His Grace the Duke of Gordon, ...

Creator:: Augustus William Reeve, active 1831–1888
Date:: 1833
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. [Hare Hunting] Mr. Timothy Luff Mullens with his Harriers, Basingstoke

Creator:: Dean Wolstenholme, 1798–1882
Date:: undated
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/4 x 19 1/4in. (36.2 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. [Shooting] Plate 2. Sportsmen refreshing

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1806
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 16 1/2 x 21 5/8in. (41.9 x 54.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. A School in the Time of Alfred

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, brown tracing paper
Dimensions:: Sheet: 7 3/8 × 11 1/4 inches (18.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

424. A Saxon Slave-Market

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 10 3/16 inches (14.1 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

425. Detail from Saxon Hospitality

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 3 1/2 × 2 1/4 inches (8.9 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

426. Saxon Hospitality

Creator:: Thomas Sibson, 1817–1844
Date:: 1843
Materials & Techniques:: Graphite, red chalk, tracing on medium, slightly textured, beige wove tracing paper
Dimensions:: Sheet: 12 3/4 × 20 1/2 inches (32.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

427. A School Room

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

428. Danes Attacking the Coast

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, brown ink and graphite on thin, smooth, cream tracing paper
Dimensions:: Sheet: 7 3/4 × 12 inches (19.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

429. Circulation

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and blue ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 5/8 x 5 5/8in. (9.2 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

430. Shrew Mouse and Other Sketches

Creator:: Thomas Sibson, 1817–1844
Date:: 1843
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 3/8in. (11.6 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

431. Two Profiles, Man and Woman

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 2 1/4 inches (11.7 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

432. The "Love Match" No. 2

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 9 1/2 inches (30 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

433. The Love Match, No 3

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 9 9/16 inches (30.3 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

434. The Love Match, No. 4

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 9 7/16 inches (30.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

435. Captain Webber

Creator:: James Sharples, ca. 1751–1811
Date:: undated
Materials & Techniques:: Pastel on moderately textured, wove paper
Dimensions:: Sheet: 9 7/16 × 7 3/8 inches (24 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The John Hill Morgan Collection

436. A Turn Up with the Lads of the Village

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Putting Arms in the Hands of the Indians

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 9 1/2 inches (13.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

438. Eton Cricket Match

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pastel, black chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 3/4in. (27 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Whitney Collections of Sporting Art

439. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

440. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

441. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 15 7/16in. (25.1 x 39.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

442. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 15 1/2in. (25.7 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

443. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

444. A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 5/8 x 9 9/16in. (19.4 x 24.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

445. The Gate Settimiana, Near which was formerly plac'd 12 statues the symbols of the Months

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

446. Erlestoke Looking West

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 3/4 inches (18.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. London – The City – in Thames Street

Creator:: Print made by Percy Thomas, 1846–1922
Date:: ca. 1881
Materials & Techniques:: Etching
Dimensions:: Sheet: 19 3/8in. (49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

448. Illustration to Virgil Eclogue 3

Creator:: Peter Lombard, ca. 1613–1682
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/2 x 7 3/4in. (29.2 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Tranquilité champêtre

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 7/8 x 8 1/2in. (27.6 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

Creator:: Print made by Arnold Fawcus, 1917–1979
Date:: 1972
Materials & Techniques:: Facsimile printed in color
Dimensions:: Sheet: 16 1/2 x 12 13/16in. (41.9 x 32.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Views of Northern Europe, Volume I

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Views of England and Wales, Volume I

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Time holding a Lithographic Stone

Creator:: Charles Heath, 1785–1848
Date:: 1804
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 12 x 9 1/8in. (30.5 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. General Ludlow; prefixed to first edition of Edmund Ludlow's Works

Creator:: Robert White, 1645–1703
Date:: 1698
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 5/16 x 4in. (16 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

455. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

456. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite and tracing on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 1/2 inches (31.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

457. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/8 × 9 9/16 inches (31.4 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

458. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, and tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 7/16 inches (31.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

459. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

460. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 5/16 × 12 9/16 inches (23.7 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

461. Christian, Accompanied by Discretion, Piety, Charity and Prudence

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 7/8 × 10 3/8 inches (32.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

462. Seated Man with Standing Woman and Two Children

Creator:: unknown artist
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

463. Hearing the Music of the Spheres

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 15/16 x 7 5/16in. (17.6 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

464. Kneeling Man Trapped in Trees Reaching Out to Another Swathed in Mists

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and varnish on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 12 3/8 inches (22.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

465. Saxon Pagans and Christians

Creator:: Thomas Sibson, 1817–1844
Date:: 1844
Materials & Techniques:: Pen and black ink, gray ink, and graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

466. Detail of : A Saxon Slave-Market

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 3 13/16 × 3 11/16 inches (9.7 × 9.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

467. The "Love Match" No 5

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 9 9/16 inches (30.2 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

468. Giving the Village Donkeys a Treat

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 9 13/16 inches (19.7 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. La Bonne Petite Soeur

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 5/8 x 8 1/4in. (27 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Four Lizards

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and black ink and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Two Birds in a Landscape

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Oil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Sketchbook of Landscape studies in Switzerland

Creator:: William Simpson, 1823–1899
Materials & Techniques:: Graphite on paper
Dimensions:: Cover: 5 7/8 x 9 1/8in. (14.9 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

473. Sketchbook of Landscape and figure studies in Scotland

Creator:: William Simpson, 1823–1899
Date:: 1863
Materials & Techniques:: Graphite and some watercolor on paper
Dimensions:: Cover: 5 1/8 x 9 1/8in. (13 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

474. Album Drawings

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Views of England and Wales, Volume II

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Views of Northern Europe, Volume II

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Views of Spain, Volume II

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (40.9 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. On the Road to Erlestoke

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Brown wash, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 9/16 inches (19.7 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Views in England, Scotland and Wales; Tour in Scotland: Lowdoor Cascade, AG

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3

Creator:: John Calcott Horsley, 1817–1903
Materials & Techniques:: Etching
Dimensions:: Sheet: 14 5/8in. (37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

481. Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8

Creator:: John Frederick Tayler, 1802–1889
Materials & Techniques:: Etching
Dimensions:: Sheet: 14 5/8in. (37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

482. Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17

Creator:: Richard Redgrave, 1804–1888
Date:: 1867
Materials & Techniques:: Etching
Dimensions:: Sheet: 14 5/8in. (37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

483. Etchings for the Art Union of London by the Etching Club: Sea Urchins, Number 18

Creator:: James Clarke Hook, 1819–1907
Materials & Techniques:: Etching
Dimensions:: Sheet: 57 1/16in. (145cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

484. Etchings for the Art Union of London by the Etching Club: Nestlings, Number 19

Creator:: George Bernard O'Neill, 1828–1917
Materials & Techniques:: Etching
Dimensions:: Sheet: 57 1/16in. (145cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

485. John Phillip, R.A.

Creator:: Print made by Alfred Walter Bayes, 1832–1909
Date:: ca. 1881
Materials & Techniques:: Etching
Dimensions:: Sheet: 19 3/8in. (49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

486. The Break of Day – Bury Church Huntingdon

Creator:: Print made by J. A. Poulter, active 1840–1881
Date:: 1881
Materials & Techniques:: Etching
Dimensions:: Sheet: 19 3/8in. (49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

487. On the Trystion

Creator:: Print made by Samuel Henry Baker, 1824–1909
Date:: ca. 1881
Materials & Techniques:: Etching
Dimensions:: Sheet: 19 3/8in. (49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

488. Regiae Anglicae Maiestatis Pictura Coloniae

Creator:: Crispyn de Passe the Elder, ca. 1565–1637
Date:: 1604
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 7/8 x 5 5/16in. (17.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Regiae Anglicae Maiestatis Pictura Coloniae

Creator:: Crispyn de Passe the Elder, ca. 1565–1637
Date:: 1604
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 7/8 x 5 5/16in. (17.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Sketchbook containing one watercolor and sketches in graphite of boats

Creator:: Thomas Lound, 1802–1861
Materials & Techniques:: Watercolor and graphite
Dimensions:: Sheet: 5 5/8 x 11 1/8in. (14.3 x 28.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Classical landscape with shepherd and flock

Creator:: Francois Vivares, 1709–1780
Date:: 1741
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Classical landscape with cowherds, cows and dogs

Creator:: Francois Vivares, 1709–1780
Date:: 1741
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Classical landscape with two figures seated by waterfall

Creator:: unknown artist
Date:: 1741
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Classical landscape with shepherds and flock and a dog

Creator:: Francois Vivares, 1709–1780
Date:: 1741
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Classical landscape with cowherd and cows in a thunderstorm

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1742
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Classical landscape with figures on a road by a ravine

Creator:: Francois Vivares, 1709–1780
Date:: 1742
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Classical landscape with figures and dogs in a glade

Creator:: James Mason, 1710–1783
Date:: 1743
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Classical landscape with figures beside a river in which a Shepherd is watering his flock

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1744
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Classical landscape with man driving pair of oxen pulling a cart

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: 1744
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Classical landscape with cow herd and cows fording a stream

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 7/8in. (55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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401. The Poultry Market

402. [Shooting]: A View of his Grace the Duke of Kingston's House at Thoresby

403. [Racing] 'Orville' (Late the Property of his R. H. George Prince of Wales)

404. [Racing] Mr. Samuel Chiffney

405. [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate I. "A Southerly Wind and a Cloudy Sky, / Proclaims a hunting morning..." / "On horseback we're got together we'll trot ..."

406. [Stag Hunting] The Late Georgiana Charlotte Theobald

407. [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."

408. Ascot Heath Races

409. 1. The Exeter College Eight on the Isis Oxford

410. Mail Coach Behind Time

411. (1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire

412. Partridge Shooting

413. [Trotting] Portrait of "Driver" / This hitherto unrivalled Trotting Galloway (under fourteen hands) late the Property of His Grace the Duke of Gordon, ...

414. [Hare Hunting] Mr. Timothy Luff Mullens with his Harriers, Basingstoke

415. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

416. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

417. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

418. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

419. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

420. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

421. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

422. [Shooting] Plate 2. Sportsmen refreshing

423. A School in the Time of Alfred

424. A Saxon Slave-Market

425. Detail from Saxon Hospitality

426. Saxon Hospitality

427. A School Room

428. Danes Attacking the Coast

429. Circulation

430. Shrew Mouse and Other Sketches

431. Two Profiles, Man and Woman

432. The "Love Match" No. 2

433. The Love Match, No 3

434. The Love Match, No. 4

435. Captain Webber

436. A Turn Up with the Lads of the Village

437. Putting Arms in the Hands of the Indians

438. Eton Cricket Match

439. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

440. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

441. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

442. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

443. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

444. A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

445. The Gate Settimiana, Near which was formerly plac'd 12 statues the symbols of the Months

446. Erlestoke Looking West

447. London – The City – in Thames Street

448. Illustration to Virgil Eclogue 3

449. Tranquilité champêtre

450. Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

451. Views of Northern Europe, Volume I

452. Views of England and Wales, Volume I

453. Time holding a Lithographic Stone

454. General Ludlow; prefixed to first edition of Edmund Ludlow's Works

455. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

456. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

457. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

458. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

459. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

460. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

461. Christian, Accompanied by Discretion, Piety, Charity and Prudence

462. Seated Man with Standing Woman and Two Children

463. Hearing the Music of the Spheres

464. Kneeling Man Trapped in Trees Reaching Out to Another Swathed in Mists

465. Saxon Pagans and Christians

466. Detail of : A Saxon Slave-Market

467. The "Love Match" No 5

468. Giving the Village Donkeys a Treat

469. La Bonne Petite Soeur

470. Four Lizards

471. Two Birds in a Landscape

472. Sketchbook of Landscape studies in Switzerland

473. Sketchbook of Landscape and figure studies in Scotland

474. Album Drawings