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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSearch Results
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
301
- Dog [A Foxhound on the Scent]
- 1788
302
- A Horse Affrighted by a Lion
- 1788
303
- A Tiger and a Sleeping Leopard
- 1788
304
- Tygers at Play
- 1780
305
- A Horse Affrighted by a Lion
- 1777
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
306
- A Lion [A Lion resting on a Rock]
- 1788
307
- A Sleeping Leopard
- 1791
308
- A Foxhound on the Scent
- 1788
309
- A Prancing Horse, Facing Right
- ca. 1790
310
- Study for the Self-portrait in Enamel
- ca. 1781
311
- Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
- undated
312
- Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
- 1795 to 1806
313
- Tiger Body, Lateral View
- 1795 to 1806
314
- Tiger Body, Standing in Human Posture
- 1795 to 1806
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
315
- A Lion [A recumbent Lion]
- 1788
316
- A Tyger (Sleeping Leopard)
- 1788
317
- The Farmer's Wife and the Raven
- 1788
318
- Death of the Doe
- 1817
319
- Labourers
- 1789
320
- Hay-Makers
- 1791
321
- Grotesque Female Head
- undated
322
- Grotesque Male Head
- undated
323
- Grotesque Male Head
- undated
324
- Grotesque Male Head
- undated
325
- Fair Scene
- 1733
326
- The First Stage of Cruelty
- ca. 1750
327
- Grotesque Male Head
- undated
328
- Grotesque Female Head
- undated
329
- Grotesque Female Head
- undated
330
- Grotesque Female Head
- undated
331
- Grotesque Male Head
- undated
332
- Grotesque Male Head
- undated
333
- Grotesque Male Head
- undated
334
- Grotesque Male Head
- undated
335
- Grotesque Female Head
- undated
336
- Grotesque Male Head
- undated
337
- Grotesque Male Head
- undated
338
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
339
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
340
- A Rake's Progress, Plate I: He Takes Possession
- 1735
341
- Southwark Fair
- 1733
342
- A Rake's Progress, Plate III: He Revels
- 1735
343
- A Midnight Modern Conversation
- 1733
344
- A Rake's Progress, Plate IV: Goes to Court
- 1735
345
- A Rake's Progress, Plate VI: He Gambles
- 1735
346
- A Rake's Progress, Plate V: He Marries
- 1735
347
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
348
- Scholars at a Lecture (A Chorus of Singers)
- 1736
349
- Colombus breaking the Egg
- 1753
350
- A Consultation of Physicians
- 1736
351
- Strolling Actresses Dressing in a Barn
- 1738
352
- The Stage Coach; Or Country Inn Yard
- 1747
353
- The Sleeping Congregation
- 1736
354
- The Enraged Musician
- 1741
355
- A Rake's Progress, Plate II: His Levee
- 1735
356
- The Distrest(ed) Poet
- 1740
357
- Simon Lord Lovat
- 1746
358
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
359
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
360
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
361
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
362
- The Invasion, Plate I: France
- 1756
363
- An Election Entertainment, Plate I
- 1755-58
364
- The Invasion, Plate II: England
- 1756
365
- The Polling, Plate III
- 1758
366
- Analysis of Beauty, Plate II: A Country Dance
- 1753
367
- The Bench
- 1758
368
- Chairing the Members, Plate IV
- 1758
369
- The Cockpit
- 1759
370
- The Laughing Audience
- 1733
371
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
372
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
373
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
374
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
375
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
376
- Gulielmus Hogarth
- 1749
377
- Hogarth Painting the Comic Muse
- 1764
378
- Prospectus print "Crown & Mitre"
- 1754
379
- The Four Times of Day, Plate I: Morning
- 1738
380
- The Four Times of Day, Plate II: Noon
- 1738
381
- The Four Times of Day, Plate IV: Night
- 1738
382
- William Hogarth
- 1764
383
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
384
- Study for the Foundlings
- ca. 1739
385
- Gabriel Hunt
- undated
386
- Benjamin Read
- ca. 1757
387
- Hymen
- ca. 1748
388
- Study of a Female Nude
- undated
389
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
390
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
391
- Ship in a Storm
- ca. 1826
392
- St. Catherine's Hill near Guildford
- 1811
393
- Flounder Fishing, Battersea
- between 1813 and 1823
394
- The Stork and Aqueduct
- between 1813 and 1823
395
- Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
- 1819
396
- Ville de Thun, Switzerland
- 1816
397
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
398
- Tenth Plague of Egypt
- 1816
399
- Procris and Cephalus
- 1812
400
- London from Greenwich
- 1811