The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
4
Charles Williams, active 1796–1830
The Union Club
undated
5
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
6
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
7
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
8
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
9
James Gillray, 1756–1815
The Republican - Attack
1795
10
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
11
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
12
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
13
James Gillray, 1756–1815
The Friendly Agent
1787
14
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
15
Print made by Joseph Brown, 19th century
James Gillray
1848
16
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
17
James Gillray, 1756–1815
Coming-In at the Death
1800
18
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
19
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
20
James Gillray, 1756–1815
Hounds in Finding
1800
21
James Gillray, 1756–1815
Hounds Throwing-Off
1800
22
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
23
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
24
James Gillray, 1756–1815
The Tottering Pyramid
1784
25
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
26
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
27
James Gillray, 1756–1815
The Battle of Bow-Street
1788
28
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
29
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
30
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
31
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
32
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
33
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
34
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
35
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
36
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
37
James Gillray, 1756–1815
United Irishmen in Training
1798
38
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
39
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
40
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
41
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
42
James Gillray, 1756–1815
The Lover's Dream
1795
43
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
44
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
45
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
46
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
47
James Gillray, 1756–1815
What a Cur ' tis
1795
48
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
49
James Gillray, 1756–1815
The Prodigal Son
1787
50
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
51
James Gillray, 1756–1815
The Royal Society
1786
52
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
53
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
54
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
55
James Gillray, 1756–1815
Love's Last Shift
1787
56
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
57
James Gillray, 1756–1815
Les Trois Magots
1791
58
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
59
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
60
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
61
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
62
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
63
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
64
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
65
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
66
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
67
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
68
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
69
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
70
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
71
James Gillray, 1756–1815
French Liberty - British Slavery
1792
72
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
73
James Gillray, 1756–1815
Malagrida, Driving Post
74
James Gillray, 1756–1815
The Bottomless-Pitt
1792
75
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
76
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
77
James Gillray, 1756–1815
Wha Wants Me?
1792
78
James Gillray, 1756–1815
The Finishing Touch
1791
79
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
80
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
81
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
82
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
83
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
84
James Gillray, 1756–1815
The Bridal-Night
1797
85
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
86
James Gillray, 1756–1815
The Sleep-Walker
1795
87
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
88
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
89
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
90
James Gillray, 1756–1815
Hounds in Full-Cry
1800
91
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
92
James Gillray, 1756–1815
The Soliloquy
1782
93
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
94
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
95
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
96
James Gillray, 1756–1815
Destruction of the French Collossus
1798
97
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
98
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
99
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
100
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____