Creator: Rowlandson, Thomas, 1756–1827 - YCBA Collections Search Search Results

401. Angry Scene in a Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Rowlandson and Wigstead on Tour

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Three Sportsmen Sleeping at the Table in Their Chairs

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 x 6 15/16 inches (10.2 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. View on Exmoor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Bucks of the First Head

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Interior of a Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. The Actresses Dressing Room at Drury Lane

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. The Recruiting Officer

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. Dr. Syntax Visits a Boarding School for Young Ladies

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Encouragement of Arts &c, Adelphi

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 7/8 inches (27 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. The Hall and Stair Case, British Museum

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Undertakers Regaling

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 21 inches (44 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Somerset House, Strand

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Entrance from Mile End or White Chapel Turnpike

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. New Covent Garden Theatre

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. The Return from the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. A Horse Sale at Hopkins's Repository (An outline)

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 15 11/16 inches (23.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. The Runaway Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1791
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. Surrey Institution

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Guildhall Examination of a Bankrupt before his Creditors

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Common Council Chamber, Guildhall

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Billingsgate Market

Creator:: after Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 1/8 inches (23.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Sessions House, Clerkenwell Green

Creator:: John Bluck, active 1791–1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 7/8 x 10in. (30.2 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Military College, Chelsea

Creator:: Augustus Charles Pugin, 1762–1832
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/4 × 10 7/8 inches (23.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Fire in London

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. A Bird's Eye View of Covent Garden Market

Creator:: John Bluck, active 1791–1831
Date:: 1811
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 7/8 x 21in. (42.9 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. St. Paul's Cathedral

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. A Peep into the Retreat at Tinnehinch

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 9 15/16in. (18.4 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. False Courage

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 14in. (21 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. An Irish Howl

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 11 3/4in. (22.5 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Reform Advised - Reform Begun - Reform Compleat (Complete)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Quae Genus on his Journey to London

Creator:: Print made by unknown artist
Date:: 1822
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 1/2 x 6in. (24.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. The Parody, - or Mother Cole and Leader

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 12 7/8in. (22.5 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Viewing at the Royal Academy

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Picking Mulberries

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Gardening

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 1/16 inches (12.1 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Comforts of Bath: The Bath

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: 150 sketches on ninety-one leaves variously executed in graphite, pen and ink, many with brown or gray wash
Dimensions:: Sheet: 9 x 6 3/4in. (22.9 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Mid-Day

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. A Crowded Race Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. The Military Adventures of Johnny Newcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. 'How to Twist Your Neck'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. The Annual Sculling Race for Doggett's Coat and Badge

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. An English Postilion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. West India Docks

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. The Hall of the Auction Mart

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1811
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. St. Luke's Hospital

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Dining Hall, Asylum

Creator:: John Hill, 1770–1850
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. The Old Castle Inn on Hampstead Heath

Creator:: unknown artist
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. House of Lords

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. The Consequence of not Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Heads: Allegora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Heads: Virginia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Heads: Fancynina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Heads: Penserosa

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Heads: Flora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Heads: Hazardorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Heads: Epicurum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Heads: Physicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Heads: Barberorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Heads: Publicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Heads: Billingsgatina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Heads: Nunina.

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Fleet Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Cut Two and Right Protect

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Water Engine, Cold-Bath-Field's Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. A New Insect

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/4 x 7 1/4in. (28.6 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Suitable Restrictions

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Blue and Buf Loyalty

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 12 7/8in. (18.4 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Brothers of the Whip

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1781
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 x 9 1/4in. (17.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1786
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. The Departure

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Procession to the Hustings after a Successful Canvass

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. The Minister's Ass - Vide Gazetteer - November 11

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 3/16in. (21.9 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Sir Cecil's Budget for Paying the National Debt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 3/4in. (24.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Britania's Protection, or, Loyalty Triumphant

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. High Fun for John Bull or the Republicans put to their Last Shift

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. The Toper's Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 8 1/4in. (25.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 3/16in. (21.6 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. (The) A Grand Battle between the Famous English Cock and Russian Hen!

Creator:: Attributed to Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Lambeth Palace

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Flying Breakfast, or the Contents of a Night Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Rowlandson, Thomas, 1756–1827

Search Results

401. Angry Scene in a Street

402. Rowlandson and Wigstead on Tour

403. Three Sportsmen Sleeping at the Table in Their Chairs

404. View on Exmoor

405. Bucks of the First Head

406. Interior of a Stable

407. The Actresses Dressing Room at Drury Lane

408. The Recruiting Officer

409. Dr. Syntax Visits a Boarding School for Young Ladies

410. Encouragement of Arts &c, Adelphi

411. The Hall and Stair Case, British Museum

412. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

413. Undertakers Regaling

414. Somerset House, Strand

415. Entrance from Mile End or White Chapel Turnpike

416. New Covent Garden Theatre

417. The Canterbury-Dover Coach Passing Vanbrugh Castle

418. A Horse Sale in Hopkins's Repository, Barbican

419. The Stable of an Inn

420. The Return from the Hunt

421. How to Vault in the Saddle

422. A Horse Sale at Hopkins's Repository (An outline)

423. The Runaway Coach

424. Surrey Institution

425. Guildhall Examination of a Bankrupt before his Creditors

426. Common Council Chamber, Guildhall

427. Billingsgate Market

428. Sessions House, Clerkenwell Green

429. Military College, Chelsea

430. Fire in London

431. A Bird's Eye View of Covent Garden Market

432. St. Paul's Cathedral

433. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

434. A Peep into the Retreat at Tinnehinch

435. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

436. False Courage

437. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

438. An Irish Howl

439. Reform Advised - Reform Begun - Reform Compleat (Complete)

440. Quae Genus on his Journey to London

441. English Barracks

442. The Parody, - or Mother Cole and Leader

443. Viewing at the Royal Academy

444. Picking Mulberries

445. Gardening

446. Comforts of Bath: The Bath

447. An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

448. Mid-Day

449. A Crowded Race Meeting

450. Breakfast before the Hunt

451. The Military Adventures of Johnny Newcome

452. 'How to Twist Your Neck'

453. The Annual Sculling Race for Doggett's Coat and Badge

454. An English Postilion

455. West India Docks

456. The Hall of the Auction Mart

457. St. Luke's Hospital

458. Dining Hall, Asylum

459. The Old Castle Inn on Hampstead Heath

460. House of Lords

461. The Consequence of not Shifting the Leg

462. Heads: Allegora

463. Heads: Virginia

464. Heads: Fancynina

465. Heads: Penserosa

466. Heads: Flora

467. Heads: Hazardorum

468. Heads: Epicurum

469. Heads: Physicorum

470. Heads: Barberorum

471. Heads: Publicorum

472. Heads: Billingsgatina

473. Heads: Nunina.

474. Fleet Prison

475. Cut Two and Right Protect