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Design for a Medal: Seated Women Being Crowned by a Winged Genius
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, squared for transfer on medium, slightly textured, gray laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 11 x 7 7/8 inches (27.9 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Coin: Chambre du Commerce de Picarde; First Draft
Creator:
Hubert-François Gravelot, 1699–1773
Date:
ca. 1761
Materials & Techniques:
Pen in black and gray ink over graphite on medium, slightly textured, cream laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 11 x 7 3/4 inches (27.9 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Engraving: Battle of Troy with the Trojan Horse
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Layout Design for a Bookplate
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, gray laid paper mounted on moderately thick, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 11 x 7 7/8 inches (27.9 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Medal: Boths Hand Fil'd for Britain
Creator:
Hubert-François Gravelot, 1699–1773
Date:
between 1734 and 1736
Materials & Techniques:
Pen and black ink, pen and red ink, graphite with red chalk, squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, and pen, with black and red ink border lines
Dimensions:
Mount: 11 x 7 5/8 inches (27.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, pen and red ink, graphite, red chalk and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper; with gold leaf, watercolor, and pen, with black and red ink, border lines
Dimensions:
Mount: 11 × 7 5/8 inches (27.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Frontispiece: Group of Allegorical Figures
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 15 1/2 × 11 1/8 inches (39.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Hubert-François Gravelot, 1699–1773
Date:
ca. 1757
Materials & Techniques:
Black chalk on medium, slightly textured, beige laid paper, mounted on very thick, moderately textured, cream wove paper, with gold leaf, and brown and red ink border lines
Dimensions:
Mount: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Barbara Regina Dietzsch, 1706–1783
Date:
ca. 1740
Materials & Techniques:
Watercolor, gouache, and gold leaf on vellum
Dimensions:
Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000
British, Louis XIV frame
Creator:
unknown framemaker
Date:
1st quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original water gilding and gesso re-cutting
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Louis XIII frame
Creator:
unknown framemaker
Date:
17th century
Materials & Techniques:
Carved wood, tortoiseshell; later oil gilding over original gilding and gesso re-cutting
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Compo, later patinated oil and water gilding over original gilding
Dimensions:
Frame: 44 × 36 × 3 inches (111.8 × 91.4 × 7.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Provincial Louis XIV frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?) 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved wood, water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British Provincial 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partial later regilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, original gilding and water gilding
Dimensions:
Frame: 55 1/2 × 45 × 2 1/4 inches (141 × 114.3 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Wright of Derby' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Wright of Derby' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding and over original oil and water gilding
Dimensions:
Frame: 31 1/4 × 36 3/4 inches (79.4 × 93.3 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XV frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Lely' frame
Creator:
unknown framemaker
Date:
2nd half of 17th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and hazzled ground
Collection:
Frames
Credit Line:
Yale Center for British Art
German (?), Baroque frame
Creator:
unknown framemaker
Date:
2nd half of 17th century
Materials & Techniques:
Carved wood, parcel gilt and painted black, original oil, water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Tudor-Stuart style frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, ebonised and parcel restored oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding; gesso re-cutting; sanded ground at corners
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, extensively re-gilded over original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque moulding frame
Creator:
unknown framemaker
Date:
late 17th to early 18th century
Materials & Techniques:
Fruitwood, Parcel gilt and ebonised; restored
Dimensions:
Frame: 24 1/4 × 37 1/2 inches (61.6 × 95.3 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, parcel gilt and ebonised
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Auricular frame
Creator:
unknown framemaker
Date:
2nd half of 17th century
Materials & Techniques:
Carved wood, water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Dimensions:
Frame: 32 3/4 × 37 1/2 × 3 inches (83.2 × 95.3 × 7.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood and compo, gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later gilding and bronze paint over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, original oil and water gilding, partially regilded
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
Huguenot craftsman
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later oil and gilding over original gilding, sanded frieze and ground at corners
Collection:
Frames
Credit Line:
Yale Center for British Art
Dutch, Cabinetmaker's frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Indian ebony, pine back (later), later oil gilding and bronze paint, bronze leaf over original ebony veneer
Collection:
Frames
Credit Line:
Yale Center for British Art
British or Irish (?), Provincial Louis XIV frame
Creator:
unknown framemaker
Date:
18th century
Materials & Techniques:
Carved wood, original oil gilding and sanded frieze; later gilding on added back
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded rail
Dimensions:
Frame: 51 1/4 × 79 1/8 × 2 3/8 inches (130.2 × 201 × 6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Empire frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, original oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Dimensions:
Frame: 40 5/8 × 35 × 2 3/4 inches (103.2 × 88.9 × 7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque frame
Creator:
unknown framemaker
Date:
17th century
Materials & Techniques:
Wood, parcel gilt and ebonised
Collection:
Frames
Credit Line:
Yale Center for British Art
Netherlandish (?), Northern Renaissance frame
Creator:
unknown framemaker
Date:
17th century
Materials & Techniques:
Wood, mouldings with later re-paint; frieze painted black with oil gilt scrolling foliage at corners and centres
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood and compo, later oil gilding over original gilding; sanded top rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XIV style frame
Creator:
unknown framemaker
Date:
last 3rd quarter of 17th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood and compo, later oil gilding over original gilding; sanded top rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood and compo, later oil gilding over original gilding; sanded top rail
Dimensions:
Frame: 59 1/2 × 68 × 2 3/4 inches (151.1 × 172.7 × 7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:
Frame: 46 1/4 × 36 5/8 × 2 3/4 inches (117.5 × 93 × 7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Dimensions:
Frame: 51 1/4 × 65 1/4 × 4 1/4 inches (130.2 × 165.7 × 10.8 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
Huguenot craftsman
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding; sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding; sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, probably original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Tudor-Stuart frame
Creator:
unknown framemaker
Date:
2nd half of 16th century
Materials & Techniques:
Oak, later parcel gilding and black paint over original ebonized-&-gilt finish
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood, original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV Revival style frame
Creator:
unknown framemaker
Date:
mid-19th century
Materials & Techniques:
Wood and compo, partially regilded and bronze painted over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XIV frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:
Frame: 48 × 58 × 4 3/4 inches (121.9 × 147.3 × 12.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
mid-19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XIV style frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved wood, original gilding and priming removed; gesso traces visible
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' - Neoclassical variant frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original deteriorated and flaking oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, probably original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIII style frame
Creator:
unknown framemaker
Date:
17th century
Materials & Techniques:
Carved wood, oil gilt
Dimensions:
Frame: 32 1/4 × 36 1/2 × 2 3/4 inches (81.9 × 92.7 × 7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, partially regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque moulding frame
Creator:
unknown framemaker
Date:
2nd half of 17th century
Materials & Techniques:
Carved wood, sucessive later oil gildings over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Cushion Moulding frame
Creator:
unknown framemaker
Date:
2nd half of 17th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque moulding frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood, parcel gilt and ebonised
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Dimensions:
Frame: 26 5/8 × 34 1/2 × 2 1/2 inches (67.6 × 87.6 × 6.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe Empire frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and plaster, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Dimensions:
Frame: 33 1/2 × 41 1/2 × 2 1/8 inches (85.1 × 105.4 × 5.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV- Régence style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
18th century
Materials & Techniques:
Carved wood, successive later oil gildings over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art