Materials & Techniques: black ink / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Fund / Work Type: watercolor / Subject Terms: architectural subject - YCBA Collections Search Search Results

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Materials & Techniques black ink

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Fund

Work Type watercolor

Subject Terms architectural subject

1. Receipt for a Set of Six London Views

Receipt for a Set of Six London Views

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1758
Materials & Techniques:: Graphite, pen and black ink, and gray wash, incised for transfer on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 4 5/8in. (11.7 x 11.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. The North-West Porch of Salisbury Cathedral

The North-West Porch of Salisbury Cathedral

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1832
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 11 5/8 inches (35.2 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Unidentified Periodical / Play Illustration

Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 3 1/16 inches (12.1 × 7.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Cottage at Deane, Hants.

Cottage at Deane, Hants.

Creator:: John Piper, 1903–1992
Date:: 1938
Materials & Techniques:: Gray wash and brown wash with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Place des Victoires, Paris

Place des Victoires, Paris

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper
Dimensions:: Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire

Creator:: John Piper, 1903–1992
Date:: 1942
Materials & Techniques:: Pen and black ink, watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Selborne Church

Selborne Church

Creator:: John Piper, 1903–1992
Date:: 1961
Materials & Techniques:: Gray wash with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Design for a villa: `The Ground Plan and Elevations of a Villa'

No cover image available

Creator:: Stephen Riou, 1720–1780
Date:: 1770
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 15 3/4 × 24 7/16 inches (40 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

No cover image available

Creator:: Stephen Riou, 1720–1780
Date:: 1762
Materials & Techniques:: Watercolor, pen and black ink, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 7 5/16 x 20 7/8 inches (18.6 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund