Materials & Techniques: brown ink / Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Exhibition History: Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)

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Materials & Techniques brown ink

Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Exhibition History Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)

Samuel Palmer, 1805–1881

Conway Castle

1836

Etched by Joseph Mallord William Turner, 1775–1851

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Moses Griffith, 1747–1819

Distant view of Llandrillo

1805

Thomas Peploe Wood, 1817–1845

Roslyn Castle - a wooded river landscape

1839

Thomas Rowlandson, 1756–1827

Preparatory sketch for 'Dr Syntax Sketching the Lake'

1812

Anthony Vandyke Copley Fielding, 1787–1855

A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

1834

Anthony Vandyke Copley Fielding, 1787–1855

Shipping off Staffa

1842

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