Materials & Techniques: chine collé and engraving (printing process) / Author removed ss: after Joseph Mallord William Turner, 1775–1851, British / Collection: Prints and Drawings

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Materials & Techniques chine collé

Materials & Techniques engraving (printing process)

Author removed ss after Joseph Mallord William Turner, 1775–1851, British

Collection Prints and Drawings

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Engraved by George Hollis, 1792–1842

The Forum Romanum

1818-1820

Print made by James Fittler, 1758–1835

Isola Bella, on the Lago Maggiore

1818-1820

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by John Le Keux, 1783–1846

Rome from the Farnesean Gardens

1818-1820

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1818-1820

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