Materials & Techniques: chine collé / Exhibition History: Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04) and Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19) / Image Available: Available / Image Use: Free to Use

Start Over

You searched for:

Materials & Techniques chine collé

Exhibition History Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)

Exhibition History Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)

Image Available Available

Image Use Free to Use

Etched by Joseph Mallord William Turner, 1775–1851

Hind Head Hill

1811

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by James T. Willmore, 1800–1863

Penmaen Mawr, Caernarvonshire

1832

Print made by James T. Willmore, 1800–1863

Ullswater, Cumberland

1835

Print made by W. R. Smith, active 1819–1851

The Entrance to Fowey Harbour, Cornwall

1829

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Print made by William Radclyffe, 1780–1855

Salisbury, Wiltshire

1830

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by John Landseer, 1769–1852

High Force or Fall of the Tees

1821

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period