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Materials & Techniques chine collé
Remove constraint Materials & Techniques: chine colléGenre landscape
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- Date:
- 1830
- Materials & Techniques:
- Mezzotint; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1838
- Materials & Techniques:
- Line engraving, 2nd state on thick, smooth, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
3. Dover
- Date:
- 1851
- Materials & Techniques:
- Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 20 3/4 × 26 1/2 inches (52.7 × 67.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
4. Dover
- Date:
- 1851
- Materials & Techniques:
- Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 25 3/4 × 35 1/2 inches (65.4 × 90.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
5. Forfecle
- Date:
- 1868
- Materials & Techniques:
- Mezzotint and etching on moderately thick, slightly textured, white wove paper with cream chine collé
- Dimensions:
- Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
6. Hastings
- Date:
- 1851
- Materials & Techniques:
- Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
7. Hastings
- Date:
- 1851
- Materials & Techniques:
- Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1846
- Materials & Techniques:
- Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with beige chine-collé
- Dimensions:
- Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1846
- Materials & Techniques:
- Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
10. Ilfracombe
- Date:
- between 1853 and 1874
- Materials & Techniques:
- Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 22 × 29 7/8 inches (55.9 × 75.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1847
- Materials & Techniques:
- Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
12. Lake of Lucerne
- Date:
- 1854
- Materials & Techniques:
- Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- between 1810 and 1811
- Materials & Techniques:
- Etching on moderately thick, slightly textured, cream wove paper with cream chine collé
- Dimensions:
- Sheet: 9 1/8 x 11 15/16 inches (23.1 x 30.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1822
- Materials & Techniques:
- Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1866
- Materials & Techniques:
- Etching and line engraving; first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
- Dimensions:
- Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1897
- Materials & Techniques:
- Mezzotint printed in brown ink on medium, slightly textured, cream wove paper with cream chine collé
- Dimensions:
- Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1873
- Materials & Techniques:
- Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
18. The Golden Bough
- Date:
- 1856
- Materials & Techniques:
- Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
19. The Golden Bough
- Date:
- 1856
- Materials & Techniques:
- Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
20. The Skylark
- Date:
- 1850
- Materials & Techniques:
- Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
- Dimensions:
- Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
21. The Skylark
- Date:
- 1850
- Materials & Techniques:
- Etching and drypoint, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
- Dimensions:
- Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1863
- Materials & Techniques:
- Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
23. Thomas Bewick
- Date:
- 1852
- Materials & Techniques:
- Etching and stipple engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
- Dimensions:
- Sheet: 20 1/2 x 15 3/16 inches (52.1 x 38.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
24. Zurich
- Date:
- 1854
- Materials & Techniques:
- Etching and line engraving, India proof before letters on thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 23 1/2 × 34 7/8 inches (59.7 × 88.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection