Materials & Techniques: engraving (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: landscape / Image Available: Available

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Materials & Techniques engraving (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre landscape

Image Available Available

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by William Miller, 1796–1882

Plymouth Dock, from Mount Edgecumbe

1820

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1818-1820

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

Print made by George Cooke, 1781–1834

Florence from the Chiesa al Monte

1820

Print made by James Fittler, 1758–1835

Isola Bella, on the Lago Maggiore

1818-1820

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1822

Print made by William Miller, 1796–1882

St. Cloud

1834

Print made by William Miller, 1796–1882

The Simplon

1834

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