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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Exhibition History English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)

Remove constraint Exhibition History: English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)

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John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
George Cooke Teignmouth, Devon
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814
George Cooke Teignmouth, Devon
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1815
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
Thomas Gainsborough Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough, 1727–1788
Wooded Landscape with Two Country Carts and Figures
1779 to 1780