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Materials & Techniques etching (printing process)

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Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1788
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Edward Goodall Venice
Print made by Edward Goodall, 1795–1870
Venice
1830
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1830
Robert Wallis Rome, Castle of St. Angelo
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830
Edward Goodall Boscastle, Cornwall
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814-1826
William Chapman Dover from Shakespeare's Cliff
Print made by William Chapman, 1817–1879
Dover from Shakespeare's Cliff
1860
William Bernard Cooke The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq
1816
William Bernard Cooke The Observatory at Rosehill, Sussex
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
William Bernard Cooke Vale of Heathfield, Sussex
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816