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Materials & Techniques laid paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Image Available Available

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Work Type watercolor

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Subject Terms clouds

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Subject Terms rocks (landforms)

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Search Results

Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
George Barret Jr. The Needles from Alum Bay
George Barret Jr., 1767–1842
The Needles from Alum Bay
undated
John Varley View of Rugged Coastline, Bamburgh, Northumberland
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
Thomas Girtin Romantic Landscape
Thomas Girtin, 1775–1802
Romantic Landscape
ca. 1801
Thomas Girtin The Abbey Mill, Knaresborough
Thomas Girtin, 1775–1802
The Abbey Mill, Knaresborough
1801
Thomas Girtin Valle Crucis Abbey, near Llangollen
imitator of Thomas Girtin, 1775–1802
Valle Crucis Abbey, near Llangollen
between 1798 and 1801
Henry Tresham The Ascent of Vesuvius
Henry Tresham, 1751–1814
The Ascent of Vesuvius
1785 to 1790
Alexander Cozens Mountain Tops (A Mountain Study)
Alexander Cozens, 1717–1786
Mountain Tops (A Mountain Study)
ca. 1780
Alexander Cozens Mountainous Landscape
Alexander Cozens, 1717–1786
Mountainous Landscape
1770s
Alexander Cozens Mountainous Landscape
Alexander Cozens, 1717–1786
Mountainous Landscape
ca. 1780
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Thomas Gainsborough Cattle Watering by a Stream
imitator of Thomas Gainsborough, 1727–1788
Cattle Watering by a Stream
undated
John Robert Cozens Near Chiavenna in the Grisons
John Robert Cozens, 1752–1797
Near Chiavenna in the Grisons
ca. 1779
John Robert Cozens Between Chamonix and Martigny
John Robert Cozens, 1752–1797
Between Chamonix and Martigny
1776