Materials & Techniques: laid paper / Credit Line: Yale Center for British Art, Paul Mellon Fund / On-site Access: Accessible by appointment in the Study Room / Exhibition History: Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22) / Genre: portrait / Image Available: Available

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Materials & Techniques laid paper

Credit Line Yale Center for British Art, Paul Mellon Fund

On-site Access Accessible by appointment in the Study Room

Exhibition History Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)

Genre portrait

Image Available Available

Print made by John Raphael Smith, 1752–1812

Colonel Tarleton

1782

Print made by John Raphael Smith, 1752–1812

The Clavering Children

1779

Print made by John Spilsbury, 1730–1795

Miss Jacobs

ca. 1762

Print made by Samuel Cousins, 1801–1887

Master Lambton

1827

Print made by Thomas Watson, 1743–1781

Lady Rushout and her Children

1778

Print made by William Dickinson, 1746–1823

Mrs. Pelham

1775

Print made by William Doughty, 1757–1782

The Honorable Augustus Keppel, Admiral of the Blue

1779

Print made by John Dixon, ca. 1740–1811

William Robert, second Duke of Leinster

1774

Print made by Thomas Watson, 1743–1781

Mrs. Wilbraham

1780

Print made by John Smith, 1652–1743

Devotion in Such Looks Does Gracefull Shine, and Forces Us to Own Her Pow'r Divine..

1705

Print made by Gainsborough Dupont, 1754–1797

Elizabeth Ann (Linley) Sheridan

between 1787 and 1797

Print made by John Jones, ca. 1745–1797

James Boswell of Auchinleck, Esq

1786

Print made by Thomas Watson, 1743–1781

Catherine, Lady Bampfylde

1779

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