Materials & Techniques: laid paper / Credit Line: Yale Center for British Art, Paul Mellon Fund / Exhibition History: Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)

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Materials & Techniques laid paper

Credit Line Yale Center for British Art, Paul Mellon Fund

Exhibition History Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)

James Northcote, 1746–1831

Study for Burying the Royal Children

ca. 1790

Print made by William Dickinson, 1746–1823

Mrs. Pelham

1775

Print made by John Raphael Smith, 1752–1812

Colonel Tarleton

1782

Print made by John Raphael Smith, 1752–1812

The Clavering Children

1779

Print made by Richard Earlom, 1743–1822

A Shepherd Boy

1781

Print made by James Ward, 1769–1859

The Spottiswoode Ox

1804

Print made by Gainsborough Dupont, 1754–1797

Elizabeth Ann (Linley) Sheridan

between 1787 and 1797

Print made by Pieter van Bleeck, 1700–1764

Griffin and Johnson

1748

Print made by James Watson, 1740–1790

The Children in the Wood

1772

Print made by Francis Haward, 1759–1797

The Infant Academy

1783

Print made by John Spilsbury, 1730–1795

Miss Jacobs

ca. 1762

Print made by Thomas Watson, 1743–1781

Mrs. Wilbraham

1780

Print made by Thomas Watson, 1743–1781

Lady Rushout and her Children

1778

Print made by William Doughty, 1757–1782

The Honorable Augustus Keppel, Admiral of the Blue

1779

Print made by John Dixon, ca. 1740–1811

William Robert, second Duke of Leinster

1774

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