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1. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun ca. 1880
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance

St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:
Contemporary drawn border: 12 1/2 x 16 5/8 inches (31.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Wanstead House

Wanstead House
Creator:
Richard Westall, 1765–1836
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 11 1/8 inches (18.1 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Thomas King and Sophia Baddely in "The Clandestine Marriage"

Thomas King and Sophia Baddely in "The Clandestine Marriage"
Creator:
Richard Earlom, 1743–1822
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Baskerville House, the Residence of John Ryland, Esq.

Baskerville House, the Residence of John Ryland, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. An Artist Sketching in Windsor Park

An Artist Sketching in Windsor Park
Creator:
Benjamin West, 1738–1820
Date:
1789
Materials & Techniques:
Pen in brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/4 x 18 inches (27.3 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Gate at Blenheim

The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Netting Partridges

Netting Partridges
Creator:
Thomas Ross, active from 1753
Date:
ca. 1750
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 11 13/16 inches (19.2 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Between Chiswick and Brentford

Between Chiswick and Brentford
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1774
Materials & Techniques:
Watercolor with black ink over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 11 1/8 inches (21.3 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection