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Materials & Techniques mezzotint

Remove constraint Materials & Techniques: mezzotint

Materials & Techniques etching (printing process)

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Genre animal art

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Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Bridge and Goats
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
Joseph Mallord William Turner The Crypt of Kirkstall Abbey
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Crypt of Kirkstall Abbey
1812
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
Sir Francis Seymour Haden Harlech, no. 2
Sir Francis Seymour Haden, 1818–1910
Harlech, no. 2
1880
Francesco Bartolozzi The Adoration of the Shepherds
Francesco Bartolozzi, 1728–1815
The Adoration of the Shepherds
Francesco Bartolozzi Flight Into Egypt
Francesco Bartolozzi, 1728–1815
Flight Into Egypt
Charles Turner Tiger and Crocodile
Print made by Charles Turner, 1774–1857
Tiger and Crocodile
1799
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
James Ward The Spottiswoode Ox
Print made by James Ward, 1769–1859
The Spottiswoode Ox
1804
Richard Earlom Bull Dogs and Badgers
Print made by Richard Earlom, 1743–1822
Bull Dogs and Badgers
1807
Samuel William Reynolds Lion and Snake
Print made by Samuel William Reynolds, 1773–1835
Lion and Snake
1799
Samuel William Reynolds Vulture and Lamb
Print made by Samuel William Reynolds, 1773–1835
Vulture and Lamb
1799