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Materials & Techniques scraping

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Materials & Techniques wove paper

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On-site Access Accessible by appointment in the Study Room

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Work Type drawing

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Subject Terms hills

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Search Results

Belvoir Castle, Rutland
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 6 3/4 inches (11.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Althorp House, Northamptonshire
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 6 7/8 inches (11.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape in Wales with Castle, Lake, and Rocky Foreground
Creator:
pupil of John Varley, 1778–1842
Date:
1815
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 18 1/4 inches (17.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Macbeth and Banquo on the Heath
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1830
Materials & Techniques:
Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
London from the South West
Creator:
John Varley, 1778–1842
Date:
1831
Materials & Techniques:
Watercolor and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 10 3/4 inches (15.6 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle and Twgwyn Ferry
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Yorkshire Road
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 7 1/4 inches (10.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dumbarton Rock and Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Powerstock Castle
Creator:
John Piper, 1903–1992
Date:
ca. 1945
Materials & Techniques:
Watercolor, pen and black ink, brushed black ink and scraping out on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 3/4 x 28 1/4 inches (57.8 x 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Arcadian Landscape with Shepherds
Creator:
Joshua Cristall, 1768–1847
Date:
1814
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 11/16 inches (12.7 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Shepherd - Evening
Creator:
Francis Oliver Finch, 1802–1862
Date:
1845
Materials & Techniques:
Watercolor, graphite, and gum, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection