Materials & Techniques: soft-ground etching / Collection: Prints and Drawings / Genre: genre subject / Work Type: intaglio print / Subject Terms: man / Classification: Prints - YCBA Collections Search Search Results

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Materials & Techniques soft-ground etching

Collection Prints and Drawings

Genre genre subject

Work Type intaglio print

Subject Terms man

Classification Prints

1. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1779 to 1780
Materials & Techniques:: Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1779 and 1780
Materials & Techniques:: Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:: Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Cottage and Two Cows Being Milked

Cottage and Two Cows Being Milked

Creator:: Print formerly attributed to Thomas Girtin, 1775–1802
Date:: 1805
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 13/16 inches (15.8 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Cottage at Diss

Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. West Tower, Wymondham Church

West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Beeston Priory, Beeston Regis

Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Remains of the Priory, Beeston Regis

Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Richard and Maria Cosway, and Ottobah Cugoano

Richard and Maria Cosway, and Ottobah Cugoano

Creator:: Print made by Richard Cosway, 1742–1821
Date:: 1784
Materials & Techniques:: Etching and aquatint, printed in brown ink on medium, slightly textured, cream paper
Dimensions:: Sheet: 12 5/8 × 15 3/8 inches (32 × 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection