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Materials & Techniques white gouache

Remove constraint Materials & Techniques: white gouache

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Period 19th century

Remove constraint Period: 19th century

Image Use Free to Use

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Search Results

John Constable Male Nude
John Constable, 1776–1837
Male Nude
1808
John Frederick Lewis Tyrolese Hunters
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
John Skinner Prout The Church of St. Laurent
John Skinner Prout, 1806–1876
The Church of St. Laurent
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
John Henry Mole View from Craig-y-Barns, Dunkeld, Looking South
John Henry Mole, 1814–1886
View from Craig-y-Barns, Dunkeld, Looking South
1855
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Richard Parkes Bonington The Use of Tears
Richard Parkes Bonington, 1802–1828
The Use of Tears
1827
Emily Calmady Sir Thomas Lawrence's Painting Room in 1824
Emily Calmady, 19th century
Sir Thomas Lawrence's Painting Room in 1824
1824
William Mulready Drawing for The First Voyage
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
John Ruskin The Rocky Bank of a River
John Ruskin, 1819–1900
The Rocky Bank of a River
ca. 1853
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated