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1. Campo Santo, Venice, 1842

Campo Santo, Venice, 1842
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Scarborough

Scarborough
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Schaaffhausen: The Town

Schaaffhausen: The Town
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, 1841

Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, 1841
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Lake Constane

Lake Constane
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Colosseum and the Basilica of Constantine From the Palatine Hill, Rome

The Colosseum and the Basilica of Constantine From the Palatine Hill, Rome
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Vesuvius in Repose

Vesuvius in Repose
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Approach to Venice

Approach to Venice
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Modern Italy - The Pifferari

Modern Italy - The Pifferari
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Heidelberg With A Rainbow

Heidelberg With A Rainbow
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Album of 30 Views in the Tyrol and Italy: View from Daniele's Hotel on the Riva degli Schiavoni 8th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: View from Daniele's Hotel on the Riva degli Schiavoni 8th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Album of 30 Views in the Tyrol and Italy: The Rialto - Venice 8th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: The Rialto - Venice 8th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Album of 30 Views in the Tyrol and Italy: The Bridge of Sighs and part of the Doge's Palace 10th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: The Bridge of Sighs and part of the Doge's Palace 10th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Rouen - Entre de la Salle des Pas Perdus

Rouen - Entre de la Salle des Pas Perdus
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 10 9/16 x 7in. (26.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Abbeville - Vue Pris, de la route de Calais

Abbeville - Vue Pris, de la route de Calais
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 6 x 8in. (15.3 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Caen - Maison Grande Rue Saint-Pierre

Caen - Maison Grande Rue Saint-Pierre
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 11 1/2 x 8 3/4in. (29.3 x 22.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Rouen - Fontaine de la Crosse

Rouen - Fontaine de la Crosse
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 9 1/8 x 10 1/4in. (23.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Bergues - La Tour du March,

Bergues - La Tour du March,
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 9 5/8 x 5 1/2in. (24.5 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. A View of His Majesty's Dock Yard at Portsmouth, in the County of Hampshire, on the British Channel

A View of His Majesty's Dock Yard at Portsmouth, in the County of Hampshire, on the British Channel
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...
Creator:
Giles King, active 1732–1746
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park
Creator:
James Mason, 1710–1783
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences

A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The City of Breslau

The City of Breslau
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A View of Paris

A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge

A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
Creator:
J. Couse, active 1750
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. A View of the Palace of Versailles towards ye Garden

A View of the Palace of Versailles towards ye Garden
Creator:
John Tinney, died 1761
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Church of St. Mary Le Bow in Cheapside London

The Church of St. Mary Le Bow in Cheapside London
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Perspective View of Covent Garden

A Perspective View of Covent Garden
Creator:
John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Inside View of the Royal Exchange at London

The Inside View of the Royal Exchange at London
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The South West Prospect of London, from Somerset Gardens to the Tower

The South West Prospect of London, from Somerset Gardens to the Tower
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. A Perspective View of Whitehall

A Perspective View of Whitehall
Creator:
John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury

A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury
Creator:
John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A North West View of the Tower of London

A North West View of the Tower of London
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford

A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.
Creator:
Carington Bowles, 1724–1793
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Church of St. Peter at Rome

The Church of St. Peter at Rome
Creator:
Carington Bowles, 1724–1793
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. A View of the Chapel of the Palace of Versailles

A View of the Chapel of the Palace of Versailles
Creator:
John Tinney, died 1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A Prospect of St. James's Park

A Prospect of St. James's Park
Creator:
Nathaniel Parr, active 1742–1751
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.
Creator:
Print made by John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. A View of Somerset House with St. Mary's Church in the Strand London

A View of Somerset House with St. Mary's Church in the Strand London
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices

Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices
Creator:
unknown artist
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. Fulham

Fulham
Creator:
Sir Francis Seymour Haden, 1818–1910
Materials & Techniques:
Halftone reproduction
Dimensions:
Mount: 30 1/2 x 21 inches (77.4 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. North East View of the City of Durham

North East View of the City of Durham
Creator:
Print made by John Le Keux, 1783–1846
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. A Perspective View of the Seat of Lodovisi with Part of the City of Rome

A Perspective View of the Seat of Lodovisi with Part of the City of Rome
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. Beauvais - interieur d'une cour

Beauvais - interieur d'une cour
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 22 x 16in. (55.9 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. Album of 30 Views in the Tyrol and Italy: City of Verona and Castle of San Pietro from another bridge, 1st Nov.r 1840

Album of 30 Views in the Tyrol and Italy: City of Verona and Castle of San Pietro from another bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Album of 30 Views in the Tyrol and Italy: Leghorn, Villa Caprille - General View 1st. Sept.er 1841

Album of 30 Views in the Tyrol and Italy: Leghorn, Villa Caprille - General View 1st. Sept.er 1841
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Album of 30 Views in the Tyrol and Italy: Leaning Towers, Statue of St. Francis, Bologna 12th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: Leaning Towers, Statue of St. Francis, Bologna 12th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Album of 30 Views in the Tyrol and Italy: View from the Terrace of Casino Percori on the Lung Arno, Florence 7th Sept.er 1841

Album of 30 Views in the Tyrol and Italy: View from the Terrace of Casino Percori on the Lung Arno, Florence 7th Sept.er 1841
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Album of 30 Views in the Tyrol and Italy: View of Casino Pecori on the Lung Arno, Residence of Sir Charles D'Oyly at Florence. 1st May 1842

Album of 30 Views in the Tyrol and Italy: View of Casino Pecori on the Lung Arno, Residence of Sir Charles D'Oyly at Florence. 1st May 1842
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Album of 30 Views in the Tyrol and Italy: City of Vicenza, 2.n Nov.r 1840

Album of 30 Views in the Tyrol and Italy: City of Vicenza, 2.n Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Album of 30 Views in the Tyrol and Italy: View of the Doge's Palace and Church of St. Mark, Venice 4th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: View of the Doge's Palace and Church of St. Mark, Venice 4th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Album of 30 Views in the Tyrol and Italy: The Church of St. Maria della Salute 10th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: The Church of St. Maria della Salute 10th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Album of 30 Views in the Tyrol and Italy: View on the Grand Canal 9.th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: View on the Grand Canal 9.th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Album of 30 Views in the Tyrol and Italy: Square at Bologna, Cathedral and Palace of the Pope's legate 12th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: Square at Bologna, Cathedral and Palace of the Pope's legate 12th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Album of 30 Views in the Tyrol and Italy: View of the back of San Marco 11.th Nov.r 1840

Album of 30 Views in the Tyrol and Italy: View of the back of San Marco 11.th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, black wash, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Album of 30 Views in the Tyrol and Italy: Terrace, Casino Pecori 24th Oct.er 1841

Album of 30 Views in the Tyrol and Italy: Terrace, Casino Pecori 24th Oct.er 1841
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Album of 30 Views in the Tyrol and Italy: South View of the Barqello or State Prison and Spire of the Badia 3.d May 1842

Album of 30 Views in the Tyrol and Italy: South View of the Barqello or State Prison and Spire of the Badia 3.d May 1842
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Album of 30 Views in the Tyrol and Italy: Entrance to the Barqello, Florence 1st. May 1842

Album of 30 Views in the Tyrol and Italy: Entrance to the Barqello, Florence 1st. May 1842
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Album of 30 Views in the Tyrol and Italy: General View of the City of Trent, 30th Oct.r 1840

Album of 30 Views in the Tyrol and Italy: General View of the City of Trent, 30th Oct.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Album of 30 Views in the Tyrol and Italy: City of Verona from the Bridge, 1st Nov.r 1840

Album of 30 Views in the Tyrol and Italy: City of Verona from the Bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Album of 30 Views in the Tyrol and Italy: City of Verona and Church of San Giorgia looking to the left on the Bridge, 1st Nov.r 1840

Album of 30 Views in the Tyrol and Italy: City of Verona and Church of San Giorgia looking to the left on the Bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Album of 30 Views in the Tyrol and Italy: Church of Saint Antonio - Padua 3.r Nov.r 1840

Album of 30 Views in the Tyrol and Italy: Church of Saint Antonio - Padua 3.r Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford

A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Front of the Palace of the King of Prussia

The Front of the Palace of the King of Prussia
Creator:
R. Benning, active 1714–1746
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Great Cascade of Spring Water at Rome call'd Travi Fountain

The Great Cascade of Spring Water at Rome call'd Travi Fountain
Creator:
Carington Bowles, 1724–1793
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. A View of part of St. Mary's Church (a), All Saints Church (b), the Conduit (c), Carfax Church (d), & c. in the University of Oxford

A View of part of St. Mary's Church (a), All Saints Church (b), the Conduit (c), Carfax Church (d), & c. in the University of Oxford
Creator:
John Donowell, active 1753–1786
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. A View of St. James's Park, taken near the Stable Yard

A View of St. James's Park, taken near the Stable Yard
Creator:
John Warwick Smith, 1749–1831
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 x 16in. (26.7 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar
Creator:
Print made by William Austin, 1721–1820
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. View of the Ruins of the Temple of Peace

No cover image available
Creator:
Richard Cooper the Elder, 1701–1764
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 14 1/2 x 20 1/8in. (36.8 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Group of 79 Etchings in a Custom-made Box

No cover image available
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Materials & Techniques:
Etchings on thin, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

77. Semur

No cover image available
Creator:
Malcolm Osborne, 1880–1963
Materials & Techniques:
Drypoint on wove paper
Dimensions:
Sheet: 11 3/16 x 17 5/8in. (28.4 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

78. The Fortress. Carcassonne

No cover image available
Creator:
Malcolm Osborne, 1880–1963
Materials & Techniques:
Drypoint on wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/16in. (36 x 43.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

79. The Trent

No cover image available
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Materials & Techniques:
Etching, 3rd state on thin, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

80. Maur's Farm

No cover image available
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

81. Maur's Farm

No cover image available
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane