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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Available Unavailable
Remove constraint Image Available: UnavailableClassification Prints
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201
- Saturday Evening, the Husbandman's Return From Labour
- 1795
202
- Dancing Bear with Its Keeper, Piper, and Audience of One
- 1774
203
- The Deserter
- 1784
204
- The little Hunchback dining with the Taylor, is choak'd with a Fish Bone
- 1787
205
- Three Landscape Studies
- undated
206
- The Great Harry. The First Ship of War that Carried Guns
- 1834
207
- Joseph and John Gulston
- 1771
208
- As You Like It: Act V Scene IV: Rosalind and Orlando
- 1791
209
- Cattle
210
- The Landing of Julius Caesar
- 1751
211
- Text for Picturesque Views on the Southern Coast
- 1823 to 1827
212
- Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)
- 1823 to 1827
213
- Wrapper for Rivers of England (Number One)
- 1823 to 1827
214
- Wrapper for Rivers of England (Number Two)
- 1823 to 1827
215
- Wrapper and Text (bound) for River Scenery
- 1823 to 1827
216
- Front of Wrapper; and Advertisement for Ports of England
- 1826 to 1828
217
- Portrait of Artists: James Ward
218
- Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
219
- William van de Velde II
220
- Guinea Pigs
- 1789
221
- The Country Butcher
222
- Two Children Feeding Rabbits in a Farmyard
- 1830s
223
- The Gypsie's Tent
224
- The Waveny-River Composition, plate 6, from A Set of New Impressions: Views around Norwich, 1832-34 [posthumously printed, London, 1974]
- 1832-1834; printed 1974
225
- Description Catalogue of the Picture of the Fall of Ninevah
226
- Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
227
- The Brides of Venice
- ca. 1853
228
- The Penitent
- between 1842 and 1887
229
- Vera Effigies Viri Claries Edoardi Coke,. Equitis aurati nuper Capitalis Justiciarij and Placita coram rege tenenda assignati
- undated
230
- Edouard Seymour
- between 1697 and 1713
231
- Thomas Earl of Derby
232
- One print bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
233
- Five prints bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
234
- Prints bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
235
- One print bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
236
- One print bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
237
- One print bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
238
- Print bound in a volume of miscellaneous prints
- 1831-1834
239
- One print bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
240
- One print bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
241
- One print bound in a volume of miscellaneous prints 1831-1834
- 1831-1834
242
- Aldgate High Street
- undated
243
- The Old Fountain in the Minories
- undated
244
- Fireplace and Details from the Old House, Gravel Lane
- undated
245
- Shaftesbury House, Aldersgate Street
- undated
246
- French Ordinary Court, Crutched Friars
- undated
247
- Mill on a Canal
248
- Durham House, Salisbury House and Worcester House
- undated
249
- The Fox-Under-The-Hill
- undated
250
- The Fox-Under-The-Hill
251
- St. Mary le Strand
- undated
252
- The Bay of Baiae - Apollo and the Sibyl
- between 1852 and 1856
253
- Italy - Childe Harold's Pilgrimage
- between 1852 and 1856
254
- Woodcock Shooting
- 1852
255
- Venice - The Dogana, etc., Canaletto Painting
- 1855
256
- Much Ado About Nothing. Act IV, Scene 1
- 1803
257
- Love's Labour Lost. Act IV Scene I . 'Then Forester, my friend.'
- 1803
258
- Vortigren and Rowena, or the Settlement of the Saxons in England
- 1751
259
- Alfred in the Isle of Athelny
- 1751
260
- Advertisement for 'The Old Téméraire'
- 1859 to 1861
261
- Advertisement for prints after J.M.W. Turner by George and William B. Cooke
262
- Dancing Dogs
- 1790
263
- Miss Farren (Countess of Derby)
264
- Master Lambton
265
- Benjamin West
266
- Woodman in a Stream
- 1839
267
- Frances Brooke, Lady Whitmore
- 1778
268
- The Kite Entangled
- 1790
269
- Louisa
- 1789
270
- The Pledge of Love
- 1788
271
- The Last Judgement
272
- Sir Christopher Hatton
273
- Sir Christopher Hatton
274
- Admiral Sir John Thomas Duckworth, K.B
- 1809
275
- Suffolk House
- undated
276
- Much Ado About Nothing: Act III, Scene I: Hero
- 1803
277
- Landscape with Watermill
- undated
278
- Samual Reddish
279
- Bank of England
- undated
280
- South View of the Bank
- undated
281
- Banco de Inglaterra
- undated
282
- Hall in Crosbie Place
283
- St. James, Bermondsey, Surrey, SW
- undated
284
- S.E. View of the Chapel of the Holy Trinity, Leadenhall
285
- Hackney Church
- undated
286
- The Parish Church of St. James at Garlick Lith
- undated
287
- St. John's Church, Westminster
288
- St. Katherine by the Tower
- undated
289
- St. Katherine Cree
- 1930
290
- St. Laurence's Church and Guild Hall
291
- St. Leonard's, Shoreditch
- undated
292
- South View of the Same after the Spire was Destroyed by Lightning
293
- The Planographie of the Cathedral of St. Pauls
294
- St. Pauls Cathedral, London (Modern)
295
- Vue de la Partie exterieure du Choeur, du Cote D'Accident Avant le feu de Tot
296
- St. Paul's Cross
- undated
297
- Advertisment of H.R. Williams, Wine Importer, who used Crosby Hall as a Store
298
- View of the Building in Hyde Park for the Great Exhibition 1851
- undated
299
- The North Prospect of the Cathedral Church of St. Pauls
300
- East, North and West Views of St. Pauls