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Credit Line Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

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Date 1827

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William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Illustrations to Dante's "Divine Comedy"
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
Thomas D. W. Dearn Woman by a Fence outside a Thatched Cottage
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
Henry Harris Lines Album of 50 sketches made in the years 1827 and 1828 for H.C.
Henry Harris Lines, 1801–1899
Album of 50 sketches made in the years 1827 and 1828 for H.C
1827-1828
Henry Pyall Mail Coach Behind Time
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
Frederick Tatham Life of Blake
Text by Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
Henry Thomas Alken Fox Hunting: Leicestershire - Getting Away
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
George Hunt 1st of October
George Hunt, active 1820–1840
1st of October
1827
George Hunt 1st of September
George Hunt, active 1820–1840
1st of September
1827
George Hunt 1st of October
George Hunt, active 1820–1840
1st of October
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
Henry Thomas Alken The Eagle Paris and Dover [sic] Coach
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
John Martin Illustrations to Milton's 'Paradise Lost'
John Martin, 1789–1854
Illustrations to Milton's 'Paradise Lost'
1827
George Hunt 1st of September
George Hunt, active 1820–1840
1st of September
1827
Frederick Rosenberg Coaching: The Mail Coach in a Flood
Frederick Rosenberg, active 1816–1832
Coaching: The Mail Coach in a Flood
1827
Charles Hunt [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
George Hunt Stage Coach
George Hunt, active 1820–1840
Stage Coach
1827
George Alken Set of Four - Racing: Running
George Alken, 1794–active 1837
Set of Four - Racing: Running
1827
George Alken Set of Four - Racing: Exercising
George Alken, 1794–active 1837
Set of Four - Racing: Exercising
1827
George Alken Set of Four - Racing: Preparing to Start
George Alken, 1794–active 1837
Set of Four - Racing: Preparing to Start
1827
George Alken Set of Four - Racing: Coming In
George Alken, 1794–active 1837
Set of Four - Racing: Coming In
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
1827
Thomas Cundy Design for Grosvenor House, London: Chamber Floor Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Chamber Floor Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827