Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1735 / Period: 18th century

1. Girl in a Plumed Hat

Creator:: William Hogarth, 1697–1764
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 15 1/2 inches (47 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Portrait of a Man on Horseback

Creator:: John Wootton, 1682–1764
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/4 × 40 1/8 inches (127.6 × 101.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Two-Decker on Fire at Night off a Fort

Creator:: Charles Brooking, 1723–1759
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 9 5/8 x 11 7/8 inches (24.4 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. An Unknown Man in Black

Creator:: Joseph Highmore, 1692–1780
Date:: 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 36 5/16 x 27 15/16 inches (92.2 x 71 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Lovers in a landscape

Creator:: Pieter Jan van Reysschoot, 1702–1772
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/2 x 21 inches (49.5 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Portrait of a Woman

Creator:: George Knapton, 1698–1778
Date:: between 1735 and 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 35 3/8 × 27 3/4 inches (89.9 × 70.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. A Dinner Conversation

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: between 1735 and 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Studies of Heads

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Study of a Girl's Head

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Practical Joke

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Oil on panel
Dimensions:: 7 x 11 inches (17.8 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Alexander Pope

Creator:: Peter Gaspar Scheemakers, 1691–1781
Date:: ca. 1740
Materials & Techniques:: Marble
Dimensions:: Overall: 27 x 18 x 9 inches (68.6 x 45.7 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. A Rake's Progress, Plate I: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 1/2 x 15 3/16in. (31.8 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A Rake's Progress, Plate II: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. A Rake's Progress, Plate IV: Goes to Court

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Rake's Progress, Plate III: He Revels

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Rake's Progress, Plate VI: He Gambles

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/8in. (31.1 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Rake's Progress, Plate VII: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Rake's Progress, Plate VIII: In Bedlam

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Study of a Seated Lady

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1740
Materials & Techniques:: Graphie, black chalk, and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 13 5/8 x 10 1/2 inches (34.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Flying the Kite

Creator:: Francis Hayman, 1707/8–1776
Date:: ca. 1740
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. East Prospect of Elizabeth Castle in Jersy

Creator:: John Boydell, 1720–1804
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 20 3/4 x 28 5/8in. (52.7 x 72.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A.S.W. Prospect of St. Leonard Shoreditch in Middlesex

Creator:: unknown artist
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 7/8 x 7 3/4in. (14.9 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Monument

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: ca. 1740
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Handbill advertising Highgate Races

Creator:: unknown artist
Date:: 1735
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The North East View of Eltham Palace in the County of Kent

Creator:: Nathaniel Buck, active 1727–1753
Date:: 1735
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. In Her Love-Darting Eyes Awakes the Fires

Creator:: Alexander van Haecken, 1701–1758
Date:: between 1735 and 1757
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/8 × 11 13/16 inches (45.4 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Bow Church

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: ca. 1740
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 8 1/2in. (34.3 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A.S.E. Prospect of St. Leonard Shorditch in Middlesex

Creator:: unknown artist
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 1/8 x 12 3/4in. (23.2 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. An East Prospect of St. Leonard Shoreditch in Middlesex

Creator:: unknown artist
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 1/16 x 12 1/4in. (23 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The East Prospect of the Church of St. Leonard, Shoreditch

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/8 x 11 7/8in. (26.4 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Philip II King of Spain

Creator:: George Vertue, 1684–1756
Date:: 1735
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 inches (61 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Christ's Hospital

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: ca. 1740
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/8 x 13 1/8in. (21.9 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The South-west View of Battle Abbey in the County of Sussex

Creator:: Samuel Buck, 1696–1779
Date:: 1735
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Sir Matthew Hale

Creator:: Print made by George Vertue, 1684–1756
Date:: 1735
Materials & Techniques:: Stipple engraving, line engraving, and etching on medium, slightly textured, beige laid paper
Dimensions:: Mount: 14 13/16 × 9 7/8 inches (37.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Mrs. Frances Abington (née Barton)

Creator:: James Wilson, c.1735–c.1786
Date:: undated
Materials & Techniques:: Mezzotint on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 15/16 × 4 3/8 inches (15.1 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Francis Atterbury, Bishop of Rochester & Dean of Westminster

Creator:: unknown artist
Date:: 1735-1751
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Convent of Vallombrosa

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: undated
Materials & Techniques:: watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 3/4 inches (24.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Town and Lake of Lugano

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: undated
Materials & Techniques:: graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 16 inches (22.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Study of a Seated Woman Holding a Fan

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Red chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 10 1/8 × 8 1/4 inches (25.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Pen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Prospect of the Royal House at Richmond

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: ca. 1740
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 21 3/8in. (40.6 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Thomas Howard, Duke of Norfolk

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1735
Materials & Techniques:: Engraving; proof before inscription, with engraver's name and date only
Dimensions:: Sheet: 18 1/2 × 11 15/16 inches (47 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The South-East View of Rochester Castle

Creator:: Samuel Buck, 1696–1779
Date:: 1735
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 14 1/8in. (19.4 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Mucius Scaevola Burning his Hand

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut and etching
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Adoration of the Magi

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut and etching
Dimensions:: Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Cavalry Advancing to the Charge

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut and etching
Dimensions:: Sheet: 8 3/4 x 10 1/2in. (22.2 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Man Seated on a Rock

Creator:: Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut with etching
Dimensions:: Plate: 16 1/2 x 12 5/8in. (41.9 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Philosopher Seated under a Tree

Creator:: Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut with etching
Dimensions:: Sheet: 16 3/8 x 12 1/2in. (41.6 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Virgin and Child Seated with St Joseph

Creator:: Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/4 x 7 7/8in. (26 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Untitled: Landscape with deer

Creator:: George Knapton, 1698–1778
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut and etching
Dimensions:: Sheet: 8 1/8 x 12 7/8in. (20.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Philippe Mercier

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Sir Godfrey Kneller

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/16 x 12 inches (45.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Profile of an Unidentified Man

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 1/2 x 6 1/4in. (21.6 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Untitled: Desert Scene

Creator:: George Knapton, 1698–1778
Date:: 1735
Materials & Techniques:: Etching
Dimensions:: Sheet: 6 1/2 x 8 1/4in. (16.5 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Untitled: Virgin Mary with angel and child

Creator:: Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Woodcut and etching
Dimensions:: Sheet: 8 3/8 x 7 1/2in. (21.3 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Untitled: Nativity scene

Creator:: Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut and etching
Dimensions:: Sheet: 8 1/4 x 10 1/2in. (21 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Untitled: Landscape

Creator:: George Knapton, 1698–1778
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut and etching
Dimensions:: Sheet: 8 1/2 x 11 3/4in. (21.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Night Walkers Brought before a Justice of the Peace

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: ca. 1740
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/16 x 9 1/2in. (18.9 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Tomb of Cecilia Metella

Creator:: Print made by George Knapton, 1698–1778
Date:: 1735
Materials & Techniques:: Chiaroscuro woodcut and etching
Dimensions:: Sheet: 7 5/8 x 12 5/8in. (19.4 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Drawing for a Frontispiece: "The Toast"

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1735
Materials & Techniques:: Pen and black ink, pen and brown ink, and gray wash on medium, moderately textured, beige laid paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 5 5/8 inches (21.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1735

Period 18th century

Search Results

1. Girl in a Plumed Hat

2. Portrait of a Man on Horseback

3. A Two-Decker on Fire at Night off a Fort

4. An Unknown Man in Black

5. Lovers in a landscape

6. Portrait of a Woman

7. A Dinner Conversation

8. Studies of Heads

9. Study of a Girl's Head

10. The Practical Joke

11. Alexander Pope

12. A Rake's Progress, Plate I: He Takes Possession

13. A Rake's Progress, Plate II: His Levee

14. A Rake's Progress, Plate IV: Goes to Court

15. A Rake's Progress, Plate III: He Revels

16. A Rake's Progress, Plate V: He Marries

17. A Rake's Progress, Plate VI: He Gambles

18. A Rake's Progress, Plate VII: In Fleet Street Prison

19. A Rake's Progress, Plate VIII: In Bedlam

20. Study of a Seated Lady

21. Flying the Kite

22. East Prospect of Elizabeth Castle in Jersy

23. A.S.W. Prospect of St. Leonard Shoreditch in Middlesex

24. The Monument

25. Handbill advertising Highgate Races

26. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

27. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

28. The North East View of Eltham Palace in the County of Kent

29. In Her Love-Darting Eyes Awakes the Fires

30. Bow Church

31. A.S.E. Prospect of St. Leonard Shorditch in Middlesex

32. An East Prospect of St. Leonard Shoreditch in Middlesex

33. The East Prospect of the Church of St. Leonard, Shoreditch

34. Philip II King of Spain

35. Christ's Hospital

36. The South-west View of Battle Abbey in the County of Sussex

37. Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

38. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

39. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

40. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

41. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

42. Sir Matthew Hale

43. Mrs. Frances Abington (née Barton)

44. Francis Atterbury, Bishop of Rochester & Dean of Westminster

45. Convent of Vallombrosa

46. Town and Lake of Lugano

47. Study of a Seated Woman Holding a Fan

48. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

49. A Prospect of the Royal House at Richmond

50. Thomas Howard, Duke of Norfolk

51. The South-East View of Rochester Castle

52. Mucius Scaevola Burning his Hand

53. The Adoration of the Magi

54. Cavalry Advancing to the Charge

55. Man Seated on a Rock

56. Philosopher Seated under a Tree

57. The Virgin and Child Seated with St Joseph

58. Untitled: Landscape with deer

59. Philippe Mercier

60. Sir Godfrey Kneller

61. Profile of an Unidentified Man

62. Untitled: Desert Scene

63. Untitled: Virgin Mary with angel and child

64. Untitled: Nativity scene

65. Untitled: Landscape

66. Night Walkers Brought before a Justice of the Peace

67. The Tomb of Cecilia Metella

68. Drawing for a Frontispiece: "The Toast"