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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1767

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Classification Prints

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Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woman Weeping Beside an Urn. Le Blanc 26
Creator:
Angelica Kauffmann, 1741–1807
Date:
1767
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 7/8 x 6 3/8in. (22.5 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
1767
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frances Russell, Marquess of Tavistock
Creator:
Print made by James Watson, 1740–1790
Date:
1767
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 17 15/16 × 13 inches (45.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Ann Hussey (née Delaval) Stanhope
Creator:
James Watson, 1740–1790
Date:
1767
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 24 7/8 × 15 3/4 inches (63.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marquis of Tavistock
Creator:
James Watson, 1740–1790
Date:
1767
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Oliver
Creator:
Giuseppe Marchi, ca. 1735–1808
Date:
1767
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harriet Callander of Craigforth
Creator:
Attributed to William Dickinson, 1746–1823
Date:
ca. 1772
Materials & Techniques:
Mezzotint on moderately thick, smooth, beige laid paper
Dimensions:
Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Addison, Poets Corner
Creator:
James Hopwood, ca. 1752–1819
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady and Child
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1767
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venus, Cupid And Satyr
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1767
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tomb of John de Oteswich in St. Martin, Outwich
Creator:
unknown artist
Date:
1767
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 3/4 x 9 1/4in. (29.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Ancient Royal Palace called Placentia in East Greenwich
Creator:
James Basire the younger, 1769–1822
Date:
1767
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Oliver
Creator:
Giuseppe Marchi, ca. 1735–1808
Date:
1767
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 × 9 15/16 inches (35.2 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Charles Spencer
Creator:
John Finlayson, 1730–1776
Date:
1767
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/8 × 12 3/16 inches (41.6 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Charles Spencer
Creator:
John Finlayson, 1730–1776
Date:
1767
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/2 × 11 5/16 inches (39.4 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Honorable Mrs. Anne Seymour Damer (née Conway)
Creator:
John Raphael Smith, 1752–1812
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 10 13/16 inches (36.8 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chillingham Castle in Northumberland, The Seat of the Earl of Tankerville (published by W. Angus): Plate 62; page 62 (Volume One)
Creator:
William Angus, 1752–1821
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613
Creator:
unknown artist
Date:
ca. 1772
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 1/2 x 21 3/8in. (41.9 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing Academy
Creator:
Print made by William Pether, ca. 1738–1821
Date:
ca. 1772
Materials & Techniques:
Mezzotint, proof before title
Dimensions:
Plate: 22 7/8 x 17 7/8in. (58.1 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Invitation to Masonic Meeting held at the Swan Inn, Birmingham, 31 August 1767
Creator:
unknown artist
Date:
1767
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of a Building for the Register Offices in Scotland
Creator:
Morton, active 1767
Date:
1767
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 22 × 17 1/2 inches (55.9 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thomas Hollis
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1767
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thomas Hollis
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1767
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rest On The Flight Into Egypt
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1767
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Extract from the Domesday Book concerning the Manor of Stockwell
Creator:
Thomas Allen, active 1767–1772
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Long Barn, Kennington
Creator:
Thomas Allen, active 1767–1772
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Landscape

Landscape
Creator:
George Smith, 1714–1776
Date:
1767
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Benefit of Mr. Guadagni
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1767
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sacrifice
Creator:
John Goldar, 1729–1795
Date:
1767
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 × 14 3/4 inches (33 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the Front for the Register Offices in Scotland
Creator:
Morton, active 1767
Date:
1767
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 × 22 inches (44.8 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection