Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1791 / Classification: Prints

1. Hay-Makers

Creator:: George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Stipple engraving, second state
Dimensions:: Sheet: 16 11/16 x 21 13/16in. (42.4 x 55.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 21 1/2 x 13 7/8in. (54.6 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Set of Five: Five studies of Peddlers

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Set of Five: Studies of Laborers

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Set of Five: Studies of Children, a Dog, a Cat, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 5/8 × 7 9/16 inches (24.4 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Mary Isabella Manners (née Somerset), Duchess of Rutland

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 15 inches (51.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Mr. H. Angelo's Fencing Academy

Creator:: Charles Rosenberg, active 1790–1820
Date:: 1791
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Lollard's Prison

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Pedlar and his Dog, St. Mary's, Lambeth

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Memorial in St. Mary's, Lambeth

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Creator:: Print made by Peter Simon, 1750–1810
Date:: 1791
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

Creator:: Print made by Jean B. Michel, active 1803
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Widow - Une Veuve

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 14 1/4 inches (49.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Wife - Une Femme Mariee

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. What You Will - Ce Qui Vous Plaira

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. A Maid - Une Pucelle

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Collection of Prints by Notable Dilettanti

Creator:: Print made by unknown artist
Date:: 1791
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. T. Banks, Sculptor, R. A.

Creator:: Print made by John Condé, 1765–1794
Date:: 1791
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. In St. Mary Overie's or St. Saviour's, Southwark

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Memorial to Theodore King of Corsica in St. Ann, Westminster

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 6 3/4in. (22.5 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Stowe's Monument in St. Andrew, Undershaft

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 7 13/16in. (22.5 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A Sacrifice To Diana The Goddess Of Hunting

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Rosamond's Pond

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Monmouth House, Soho Square

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Specimen of Ancient Building (Old houses in King Street)

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Curious Pump

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. North End, Hampstead

Creator:: Francis Jukes, 1747–1812
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Hornsey

Creator:: William Ellis, 1747–1810
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. St. Paul

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Les Trois Magots

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Creator:: Print made by John Carter, 1748–1817
Date:: 1791
Materials & Techniques:: Etching on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. French Democrats surprizing the Royal Runaways

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Siege of Blenheim - or - The New System of Gunning Discoverd -

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Lubber's Hole - alias - The Crack'd Jordan

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Coming-on of the Monsoons; - or - The Retreat from Seringapatam

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Patience on a Monument

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Miss Gunning

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: ca. 1796
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 5/16 × 6 1/8 inches (21.1 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Lady Sinclair

Creator:: Print made by Marino Bovi, Italian, 1758–ca.1805
Date:: 1791
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 x 9 1/16 inches (31.6 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Slave Trade

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 × 29 1/2 inches (55.9 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Sketch from Highlife

Creator:: Richard Newton, 1777–1798
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 1/4in. (26.4 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. How to Avoid the Horse Duty

Creator:: John Nixon, ca. 1760–1818
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 5/8 x 8 3/4in. (16.8 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Self Murder or the Wolf Tried and Convicted on his own Evidence

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 13 7/16in. (20.3 x 34.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Birmingham Priest - and Flaming Patriots inflamed at Birmingham, or An apology for not being at the (Crown) and Anchor.

Creator:: Print made by William Dent, active 1784–1793
Date:: 1791
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 6 15/16 x 10 3/4in. (17.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. (The) A Grand Battle between the Famous English Cock and Russian Hen!

Creator:: Attributed to Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 3/16 x 17 7/8in. (31 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Perry-Lous Situation; or, the Doctor and his Friends keeping the Numbrusher and her Myrmidous at Bay

Creator:: Published by William Holland, 1757–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 15 3/4in. (28.9 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Good News from Madras

Creator:: Published by William Holland, 1757–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/4 x 12 1/8in. (33.7 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Liberty in Utopia - Liberty in France

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 x 22 7/8in. (35.6 x 58.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Elopment!

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Capture of the Royal Fugitives

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 5/8in. (21.9 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Doing Business on Libels or Both in One Mind on Constitutional Matters (from: Caricature, vol. 7)

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 10 3/4in. (20.3 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Russian Bear and her Invincible Rider Encountering the British Legion

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 x 14 13/16in. (27.9 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Ride for Ride - A Concise Answer to Burke's Pamphlet

Creator:: Print made by unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 14in. (21.6 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. An Imperial Stride!

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/16 x 14 11/16in. (28.4 x 37.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. An English Hobby Horse; or, Who Pays the Piper?

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Political Weeping Willow

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/4 x 9 11/16in. (28.6 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Political Warrior Mowing Down the Russian Trade

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 15 5/16in. (27.6 x 38.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Santon Barsisa and The Devil-Vide Burke's Speech

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 13/16 x 10 3/8in. (19.8 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Curious House at Stepney

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Pye Corner, Smithfield

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A View of Westminster Bridge, the Abbey and Church

Creator:: John William Edy, 1760–1820
Date:: 1791
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Hebe

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. George, Prince of Wales

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667

Creator:: Bastiaen Stopendael, 1636/7–c.1708
Date:: Published 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/16 x 13 3/8in. (24 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.

A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Vignette: Four Putti, Two Holding Hands

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Creator:: John Thomas Smith, 1766–1833
Date:: 1791
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. London Stone in Cannon Street

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. French Democrats Surprizing the Royal-Runaways

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. La Derniere Resource; - or - Van-Buchells

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 6 3/4in. (26 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Finishing Touch

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 6 3/4in. (24.8 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 8 3/4in. (24.4 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Samuel Cooper's Monument in St. Pancras Church

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 6 7/8in. (22.9 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Newcastle House, Clerkenwell Close

Creator:: Thomas Prattent, active 1780–1810
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 3/4 x 6 3/8in. (12.1 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sir Paul Pindar's Lodge....

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 9in. (28.6 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Speed's Monument in the Chancel of St. Giles, Cripplegate

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 6 7/8in. (22.5 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Sir Robert Strange

Creator:: Robert Strange, 1721–1792
Date:: 1791
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Evening at Rest

Creator:: Philip Dawe, ca.1750–ca.1790
Date:: 1791
Materials & Techniques:: Mezzotint, hand colored
Dimensions:: Sheet: 17 3/8 x 21 3/8in. (44.1 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Volcano of Opposition

Creator:: Print made by Frederick George Byron, 1764–1794
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Story of Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] in The Devil to Pay.

Creator:: William Dent, active 1784–1793
Date:: 1791
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 1/4 x 15 1/2in. (23.5 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Une Declaration Francois!!

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/16 x 14 1/8in. (25.6 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1791

Classification Prints

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1. Hay-Makers

2. A Sleeping Leopard

3. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

4. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

5. Set of Five: Five studies of Peddlers

6. Set of Five: Studies of Laborers

7. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

8. Set of Five: Studies of Children, a Dog, a Cat, etc.

9. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

10. Mary Isabella Manners (née Somerset), Duchess of Rutland

11. Mr. H. Angelo's Fencing Academy

12. Lollard's Prison

13. Pedlar and his Dog, St. Mary's, Lambeth

14. Memorial in St. Mary's, Lambeth

15. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

16. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

17. A Widow - Une Veuve

18. A Wife - Une Femme Mariee

19. What You Will - Ce Qui Vous Plaira

20. A Maid - Une Pucelle

21. Collection of Prints by Notable Dilettanti

22. T. Banks, Sculptor, R. A.

23. In St. Mary Overie's or St. Saviour's, Southwark

24. Memorial to Theodore King of Corsica in St. Ann, Westminster

25. Stowe's Monument in St. Andrew, Undershaft

26. A Sacrifice To Diana The Goddess Of Hunting

27. Rosamond's Pond

28. Monmouth House, Soho Square

29. A Specimen of Ancient Building (Old houses in King Street)

30. A Curious Pump

31. North End, Hampstead

32. Hornsey

33. St. Paul

34. Les Trois Magots

35. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

36. French Democrats surprizing the Royal Runaways

37. The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -

38. The Siege of Blenheim - or - The New System of Gunning Discoverd -

39. Lubber's Hole - alias - The Crack'd Jordan

40. The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan

41. The Coming-on of the Monsoons; - or - The Retreat from Seringapatam

42. Patience on a Monument

43. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

44. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

45. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

46. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

47. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

48. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

49. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

50. Miss Gunning

51. Lady Sinclair

52. The Slave Trade

53. A Sketch from Highlife

54. How to Avoid the Horse Duty

55. Self Murder or the Wolf Tried and Convicted on his own Evidence

56. The Birmingham Priest - and Flaming Patriots inflamed at Birmingham, or An apology for not being at the (Crown) and Anchor.

57. (The) A Grand Battle between the Famous English Cock and Russian Hen!

58. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

59. Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever

60. A Perry-Lous Situation; or, the Doctor and his Friends keeping the Numbrusher and her Myrmidous at Bay

61. Good News from Madras

62. Liberty in Utopia - Liberty in France

63. The Elopment!

64. Capture of the Royal Fugitives

65. Doing Business on Libels or Both in One Mind on Constitutional Matters (from: Caricature, vol. 7)

66. The Russian Bear and her Invincible Rider Encountering the British Legion

67. Ride for Ride - A Concise Answer to Burke's Pamphlet

68. An Imperial Stride!

69. An English Hobby Horse; or, Who Pays the Piper?

70. The Political Weeping Willow

71. The Political Warrior Mowing Down the Russian Trade

72. Santon Barsisa and The Devil-Vide Burke's Speech

73. A Curious House at Stepney

99. Story of Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] in The Devil to Pay.