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Credit Line Yale Center for British Art, Paul Mellon Fund

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Work Type drawing

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George Romney Figure Composition Study 46
George Romney, 1734–1802
Figure Composition Study 46
undated
George Romney Figure Study 9
George Romney, 1734–1802
Figure Study 9
undated
George Romney Figure Composition Study 25
George Romney, 1734–1802
Figure Composition Study 25
undated
George Romney Figure Composition Study 28
George Romney, 1734–1802
Figure Composition Study 28
undated
George Romney Study of Three Women
George Romney, 1734–1802
Study of Three Women
undated
George Romney Figure Composition Study 37
George Romney, 1734–1802
Figure Composition Study 37
undated
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Composition Study 24
George Romney, 1734–1802
Figure Composition Study 24
undated
George Romney Landscape
George Romney, 1734–1802
Landscape
undated
George Romney Figure Composition Study 43
George Romney, 1734–1802
Figure Composition Study 43
undated
Sir Joshua Reynolds Woman and Child, Woman Alone
Sir Joshua Reynolds, 1723–1792
Woman and Child, Woman Alone
undated
Sir Joshua Reynolds Woman 'Cleopatra'
Sir Joshua Reynolds, 1723–1792
Woman 'Cleopatra'
undated
Sir Joshua Reynolds Woman and Child
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
Sir Joshua Reynolds Two Swimmers
Sir Joshua Reynolds, 1723–1792
Two Swimmers
undated
Sir Joshua Reynolds Adult and Child
Sir Joshua Reynolds, 1723–1792
Adult and Child
undated
Sir Joshua Reynolds Seated Figure Reading
Sir Joshua Reynolds, 1723–1792
Seated Figure Reading
undated
Sir Joshua Reynolds Man Reading
Sir Joshua Reynolds, 1723–1792
Man Reading
undated
Sir Joshua Reynolds Seated Figure
Sir Joshua Reynolds, 1723–1792
Seated Figure
undated
Sir Joshua Reynolds Standing Figure
Sir Joshua Reynolds, 1723–1792
Standing Figure
undated
Sir Joshua Reynolds Matador
Sir Joshua Reynolds, 1723–1792
Matador
undated
Sir Joshua Reynolds Woman Holding Dog
Sir Joshua Reynolds, 1723–1792
Woman Holding Dog
undated
Sir Joshua Reynolds Figure Sketch
Sir Joshua Reynolds, 1723–1792
Figure Sketch
undated
Sir Joshua Reynolds Man and Woman
Sir Joshua Reynolds, 1723–1792
Man and Woman
undated
Sir Joshua Reynolds Two Sketches of Man
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
Henri Gaudier-Brzeska Three-quarter View of a Lioness
Henri Gaudier-Brzeska, 1891–1915
Three-quarter View of a Lioness
between 1910 and 1915
John Le Capelain Figure Seated by a Stream at Sunset
John Le Capelain, 1812–1848
Figure Seated by a Stream at Sunset
undated
John Flaxman Trees in the Villa Negroni Planted by M. Angelo
John Flaxman, 1755–1826
Trees in the Villa Negroni Planted by M. Angelo
undated
Sir Joshua Reynolds Woman and Children
Sir Joshua Reynolds, 1723–1792
Woman and Children
undated
Sir Joshua Reynolds Dancing Woman
Sir Joshua Reynolds, 1723–1792
Dancing Woman
undated
Sir Joshua Reynolds Woman and Child
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
Dante Gabriel Rossetti Dante in Meditation Holding a Pomegranate
Dante Gabriel Rossetti, 1828–1882
Dante in Meditation Holding a Pomegranate
ca. 1852
Spencer Frederick Gore Cave of the Golden Calf: Study of Two Frenzied Dancers
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
James Scouler Portrait of Lady Menzies
James Scouler, 1741–1812
Portrait of Lady Menzies
1770
Florence Claxton Conversazione
Florence Claxton, active 1855–1889
Conversazione
undated
unknown artist Sheet of Six Sketches
unknown artist
Sheet of Six Sketches
undated
Frederic Leighton Marietta, Capri
Frederic Leighton, 1830–1896
Marietta, Capri
1859
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
Jean B. C. Chatelain View with a Cart and Figures in a Wooded Landscape
Jean B. C. Chatelain, 1710–1771
View with a Cart and Figures in a Wooded Landscape
undated
Sir Thomas Lawrence Portrait of Miss Lysons
Sir Thomas Lawrence, 1769–1830
Portrait of Miss Lysons
1795
Jean B. C. Chatelain View with Figures in a Classical Landscape with Ruins
Jean B. C. Chatelain, 1710–1771
View with Figures in a Classical Landscape with Ruins
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
James Ward Studies for "Venus Rising from her Couch"
James Ward, 1769–1859
Studies for "Venus Rising from her Couch"
ca. 1828