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Date 1730

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Period 18th century

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Image Use Under Certain Circumstances

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Cherokee Delegation to England
Creator:
Print made by Isaac Basire, 1704–1768
Date:
1730, printed ca. 1748
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Bazin, Germain
Date:
n.d
Collection:
Rare Books and Manuscripts
No cover image available
Creator:
Pascoli, Lione, 1674–1744
Date:
1730-1736
Physical Description:
2 v. 25 cm.
Collection:
Rare Books and Manuscripts

9. The magazine of architecture, perspective, & sculpture : in five parts : Part the first. Geometrical, practical, & usefull [sic] problems ; for ye describing of circles, ovals, arches, groyns (Regular or rampant) & polygons, ye mouldings made use of in architecture; the handrail to stair-cases; ye wreath'd columns; ionic (capital antient & modern) volutes; & to flute columns and pilasters : Part the second. Plain & easy directions, for the construction of ye five orders of architecture , with their imposts & arches, plans, elevations & profiles, (accurately describ'd by feet, inches & parts; likewise by the customary measure of modules & minutes) frontispieces & windows; ornaments for mouldings, capitals & freezes; fretts & flowers; enrich'd pedestals for statues; compartiments [sic] for domes, soffites of arches & pavements; of the proportion and cieling [sic] of rooms; and designs of obelisks : Part the third. On the disposition & regularity of stair-cases; with several necessary improvements, wherein the symetry [sic] requir'd is preserv'd in ye steps & halfpaces, &c. also in ye rangeing [sic] ballisters & ornaments : Part the fourth. A most easy & expeditious method, to delineate in perspective, all designs relating to architecture, after a new manner, wholly free from ye confusion of occult lines : Part the fifth. The parts of human-body describ'd; with ye nature of motion reduc'd to geometrical rules; to which is added, a collection of ye most beautiful antique statues, with their parts describ'd, as measur'd from the originals / engraven on 96 copper plates by Benjn. Cole ; to which is annexed, an alphabetical explanation of ye terms made use of in architecture ; collected from the most approv'd authors, antient & modern, particularly, Palladio, Scamozzi & Vignola, & made a work of general use for gentlemen, architects, sculptors, painters, workmen, & all persons concern'd in building, by Edward Oakley, Architect . M. M.

No cover image available
Creator:
Oakley, Edward, active 18th century
Date:
MDCCXXX [1730]
Physical Description:
[12], 119, [1] p., XCIII leaves of plates : ill., coat of arms, diagrams, plans ; 38 cm.
Collection:
Rare Books and Manuscripts
No cover image available
Creator:
Seutter, Matthaeus, 1678–1756
Date:
[1730]
Physical Description:
1 map : engraving, hand-colored ; 48 x 56 cm., on sheet 52 x 60 cm
Collection:
Rare Books and Manuscripts
No cover image available
Date:
[approximately 1730]
Physical Description:
11 leaves : illustrations ; 20 x 25 cm
Collection:
Rare Books and Manuscripts
No cover image available
Creator:
Smith, John, fl. 1673–1680
Date:
1730
Physical Description:
22 p. ; 22 cm.
Collection:
Rare Books and Manuscripts
No cover image available
Creator:
Sympson, Joseph, -1736
Date:
[ca. 1730?]
Physical Description:
11 prints : engravings
Collection:
Rare Books and Manuscripts
No cover image available
Date:
1982?]
Physical Description:
[13] leaves of plates : chiefly col. ill. ; 53 cm.
Collection:
Reference Library
No cover image available
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Dimensions:
Frame: 30 × 26 × 2 1/2 inches (76.2 × 66 × 6.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood and compo, regilded and restored over original gilding
Dimensions:
Frame: 37 1/4 × 35 1/2 × 4 inches (94.6 × 90.2 × 10.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art