Date: 1798 / Period: 18th century / Image Available: Available / Image Use: Free to Use / Classification: Prints

1. Sheffield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 inches (20 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Will Sommers - King Henry's Jester

Creator:: unknown artist
Date:: c.1798
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 8 1/2 x 5 1/4in. (21.6 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses

Creator:: Charles Warren, 1767–1823
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

5. Much Ado About Nothing

Creator:: unknown artist
Date:: 1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

6. Mrs. Whitbread

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1798
Materials & Techniques:: Mezzotint (cut inlaid) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 26 × 16 1/16 inches (66 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Lord Adam Duncan, 1st Viscount, Duncan of Camperdown

Creator:: unknown artist
Date:: .1798
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 11/16 × 14 3/8 inches (47.5 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Richard Edgcumbe, 1st Baron Edgcumbe

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 8 9/16 inches (26.4 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Henry Revell Reynolds

Creator:: Valentine Green, 1739–1813
Date:: 1798
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 18 1/8 × 14 inches (46 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. William Wentforth, 2nd Earl of Strafford

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 7/16 inches (22.9 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Mrs Seaforth as, Tuccia - The Vestal Virgin

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1798
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 15 5/8 inches (52.7 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Tenant's Daughter

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 10 1/2 inches (41 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. The Landlord's Daughter

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 10 1/2 inches (40.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. Lleweney Bleach Works

Creator:: Thomas Malton, 1726–1801
Date:: 1798
Materials & Techniques:: Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Plate: 9 3/4 x 16 3/4in. (24.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. North, or inside, View of Traitor's Gate

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Clarendon House

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Manor House, St. Leonard's, Bromley

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. St. Luke's, Charlton

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Entrance from Mile End or White Chapel Turnpike

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Trinity House

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Bishopsgate Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. North Front of the Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. South Front of the Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Death of Captain Alexander Hood

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1798
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 26 1/2 inches (56.2 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. South Front of the Bank

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Hand colored aquatint on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/16 inches (30.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Sheffield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/4 inches (14 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. John Bull - Swearing to his Property

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 x 8 1/4in. (27.9 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Pupil of Nature

Creator:: Franciscus Sansom, active 1785–1799
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 9 3/8in. (24.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. What Do You Want, Paddy?

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 11 1/8 x 13 1/8in. (28.3 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Scotch Eloquence to a Chilly Congregation

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 14 5/8in. (21.6 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Effects of British Valour on the French Directory

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/4 x 15 3/4in. (27.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Pious Endeavour to Moralize John Bull

Creator:: William O'Keefe, active 1794–1807
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Inspection of Property and Income, John Bull and The Inquisition

Creator:: William O'Keefe, active 1794–1807
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 12 1/2in. (20.6 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Old Goat and Young Kid - or the Queensborough-Novelist

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 10 3/8in. (23.8 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Prospero on the Enchanted Island

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11in. (21 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Voice from the Clouds or Modest Merit Rewarded

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 11in. (34.6 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Extirpation of the Plagues of Egypt

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. High Fun for John Bull or the Republicans put to their Last Shift

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Revolution of the 4th of Sept(embe)r - (The 18th Fructidor of the 5th Year)

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 9 11/16in. (23.2 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Political Hypocondriac!!!

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 10 1/4 x 15 1/2in. (26 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Royal Rush Light

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 1/8in. (26.7 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Shades of Opposition; or, More Ghosts!!

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 11 1/2 x 18 3/4in. (29.2 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 7/8in. (24.8 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Destruction of the French Collossus

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/16 x 9 7/8in. (33.5 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14in. (24.1 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 24in. (20.3 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 10in. (18.4 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Bow Steeple, Cheapside

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 9 13/16in. (36.5 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Bow Steeple, Cheapside

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/4 x 9 3/4in. (36.2 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Holy Family

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 3/8 inches (20.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Benjamin West Esqr. Prisident of the Royal Academy and Historical Painter to his Majesty

Creator:: Print made by Thomas Holloway, 1748–1827
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. John Opie, Esqr., R. A.

Creator:: Print made by William Ridley, 1764–1838
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

Creator:: Print made by John Kirby Baldrey, active 1750–1821
Date:: 1798
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 7 5/8 x 4 3/8 inches (19.4 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. J. P. de Loutherbourg

Creator:: Sarah M. Singleton, active 1790–1820
Date:: 1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Resignation

Creator:: Print made by Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 7/8 x 10 1/8in. (30.2 x 25.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. It is Not All Gold That Glitters, - or Volunteers Settling About Pedigree and Precedence (from: Caricature, vol. 3)

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Billy & Harry in Their Glory or a Great Man Kicked Out of Place

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3)

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 14 1/2in. (24.8 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A New Prop for a Rickety Stool

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13in. (21.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Danger Over or Billy's Return to John Bull

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. An Irish Hug, Alias a Fraternal Embrace, The Dearest Friends Must Part

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/8 x 9 5/8in. (34 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. John Bull Taking a Lunch - or Johnny's Purveyors Pampering His Appetite with Dainties From All Parts of the World (from: Caricature, vol. 3)

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 16 3/4in. (25.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. West Front of St. Paul's

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 11 7/16in. (38.4 x 29.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Church House, Hackney

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. South View of the Bloody Tower

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. St. Stephen's Wallbrook

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Chapel, Fulham Palace

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Fulham Palace

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of Greenwich Hospital

Creator:: Philip Audinet, 1766–1837
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Lord Darcie's Monument in St. Botolph's

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 6 7/8in. (22.9 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Sadlers Sharp Shooters

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Sir William Beechey

Creator:: William Ridley, 1764–1838
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Consequence of not Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 × 27 1/4 inches (53.3 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Juvenile Amusement

Creator:: William Ward, 1766–1826
Date:: 1798
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/16 × 13 1/4 inches (48.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sir Paul Pindar's Monument in St. Botolph's Church

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 7in. (22.9 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Lee

Creator:: George Isham Parkyns, 1749/50–c.1820
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 5/16 x 14 7/8in. (28.7 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Manor House, Clapham

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 9/16 x 7 1/8in. (11.6 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. View of London Bridge

Creator:: J. Dadley, active 19th century
Date:: 1798
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 3/8 x 10 3/8in. (21.3 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. St. Laurence's Church and Guild-Hall

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. St. Laurance's Church and Guild-Hall

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 1/4 x 13 1/2in. (28.6 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Edmonton, Outer Suburb - North

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Breaking the Ice

Creator:: John Rubens Smith, 1775–1849
Date:: 1798
Materials & Techniques:: Mezzotint on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 11/16 × 28 inches (55.1 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Cambridge University: Kings College Chapel

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Great Court and Chapel of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 27 5/16 inches (53.5 × 69.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Old Houses in the Butcher Row

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 5/8 × 9 7/8 inches (32.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Soldiers Recreating

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1798

Period 18th century

Image Available Available

Image Use Free to Use

Classification Prints

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1. Sheffield

2. Wakefield

3. Will Sommers - King Henry's Jester

4. The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses

5. Much Ado About Nothing

6. Mrs. Whitbread

7. Lord Adam Duncan, 1st Viscount, Duncan of Camperdown

8. Richard Edgcumbe, 1st Baron Edgcumbe

9. Henry Revell Reynolds

10. William Wentforth, 2nd Earl of Strafford

11. Mrs Seaforth as, Tuccia - The Vestal Virgin

12. The Tenant's Daughter

13. The Landlord's Daughter

14. Lleweney Bleach Works

15. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

16. North, or inside, View of Traitor's Gate

17. Clarendon House

18. Manor House, St. Leonard's, Bromley

19. St. Luke's, Charlton

20. Entrance from Mile End or White Chapel Turnpike

21. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

22. The Trinity House

23. Bishopsgate Volunteer

24. North Front of the Royal Exchange

25. The Royal Exchange

26. South Front of the Royal Exchange

27. Death of Captain Alexander Hood

28. South Front of the Bank

29. Sheffield

30. Fonrose

31. John Bull - Swearing to his Property

32. Pupil of Nature

33. What Do You Want, Paddy?

34. Scotch Eloquence to a Chilly Congregation

35. The Effects of British Valour on the French Directory

36. A Pious Endeavour to Moralize John Bull

37. Inspection of Property and Income, John Bull and The Inquisition

38. The Old Goat and Young Kid - or the Queensborough-Novelist

39. Prospero on the Enchanted Island

40. A Voice from the Clouds or Modest Merit Rewarded

41. The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure

42. Extirpation of the Plagues of Egypt

43. High Fun for John Bull or the Republicans put to their Last Shift

44. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

45. Revolution of the 4th of Sept(embe)r - (The 18th Fructidor of the 5th Year)

46. A Political Hypocondriac!!!

47. The Royal Rush Light

48. Shades of Opposition; or, More Ghosts!!

49. Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty

50. Destruction of the French Collossus

51. Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings

52. New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite

53. Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself

54. Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____

55. Set of Six Views in London, (Turn Pike series)

56. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

57. Bow Steeple, Cheapside

58. Bow Steeple, Cheapside

59. Holy Family

60. Wakefield

61. Benjamin West Esqr. Prisident of the Royal Academy and Historical Painter to his Majesty

62. John Opie, Esqr., R. A.

63. Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

64. J. P. de Loutherbourg

65. The Resignation

66. It is Not All Gold That Glitters, - or Volunteers Settling About Pedigree and Precedence (from: Caricature, vol. 3)

67. Billy & Harry in Their Glory or a Great Man Kicked Out of Place

68. Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3)

69. A New Prop for a Rickety Stool

70. The Danger Over or Billy's Return to John Bull

71. An Irish Hug, Alias a Fraternal Embrace, The Dearest Friends Must Part