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Ansicht vom Schact und Tunnel unter Themse zu London
Creator:
Carl Trautmann, active 1835
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 23 1/8 × 26 5/8 inches (58.7 × 67.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Croix de Moulin les Planches
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue Generale des Ruines du Château d'Arlay
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 18 11/16 x 13 7/16 inches (47.5 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruines de Château d'Arlay
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bishop's Chapel Bishop Eton (built c. 1845-1850)
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Gothic Candle Sticks and Branches
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on smooth, thin, blue wove paper
Dimensions:
Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Three Sketches of: a House, A Gothic Spires and Ornamentation
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 11 3/8 inches (20 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thick, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 7 5/8 inches (25.1 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thin, smooth, white wove paper
Dimensions:
Sheet: 7 7/8 × 11 1/2 inches (20 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Architectural Ornamentation: Columns, Capitals and Pilasters
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection