Period: 18th century / Subject Terms: reeds - YCBA Collections Search Search Results

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Period 18th century

Subject Terms reeds

1. Château Vilain sur la Riviere Dain, Franche Comte

Château Vilain sur la Riviere Dain, Franche Comte

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Alope

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1787
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 18 3/16 inches (35.5 x 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Repose in Egypt

Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Repose in Egypt

Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. View of a Portico by the Side of a River, with Herdsmen and Cattle

View of a Portico by the Side of a River, with Herdsmen and Cattle

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

6. Horseman Fording a Stream with Cattle

Horseman Fording a Stream with Cattle

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 13/16 x 8 13/16 inches (14.8 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Men Fishing

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 13/16 x 8 3/4 inches (14.7 x 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Travellers by a Clump of Trees in a Rocky Landscape with Stream

Travellers by a Clump of Trees in a Rocky Landscape with Stream

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beive wove paper laid in contemporary mount
Dimensions:: Mount: 11 5/16 x 14 5/16 inches (28.8 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. A Moonlit Landscape with Cattle by a Pool

A Moonlit Landscape with Cattle by a Pool

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1780
Materials & Techniques:: Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Moses in the Bulrushes

Moses in the Bulrushes

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 14 5/16 inches (29.8 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund