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Period 19th century

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Classification Photographs

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'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders
Creator:
David Octavius Hill, 1802–1870
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 15/16 × 6 3/8 inches (20.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
[Floral photo-medallion souvenir of Glastonbury].
Date:
[approximately 1880?]
Physical Description:
8 views : photolithographs ; each 42 mm in diameter, on sheet 24 x 24 cm (unfolded)
Collection:
Rare Books and Manuscripts
[Photographic postcard of an unidentified group of people and 4 wheeled wagon].
Date:
[approximately 1880-1900?]
Physical Description:
1 postcard : b & w ; 9 x 14 cm
Collection:
Rare Books and Manuscripts

4. A Study

A Study
Creator:
Frank Meadow Sutcliffe, 1853–1941
Date:
1871
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 1/4 × 4 inches (13.3 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
After the Manner of Raphael
Creator:
Julia Margaret Cameron, 1815–1879
Date:
undated
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 12 3/8 × 9 3/16 inches (31.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery
Agricultural Implements by Crosskill
Creator:
Claude-Marie Ferrier, 1811–1889
Date:
1851
Materials & Techniques:
Salted paper print on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 1/8 inches (14.6 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Album of carte de visite photographs of British jockeys.
Date:
[1865?]
Physical Description:
1 album (50 photographs) ; 15 cm
Collection:
Rare Books and Manuscripts
Album of cartes-de-visite and cabinet photographs of the British royal family.
Date:
ca. 1860-ca. 1905
Physical Description:
1 album (76 photographs) ; 30 x 24 cm
Collection:
Rare Books and Manuscripts
Album of cartes-de-visite depicting royalty of Britain and Europe and other contemporary notables.
Date:
1860-1862
Physical Description:
1 album (50 photographs) ; 15 x 12 cm
Collection:
Rare Books and Manuscripts
Album of family portrait photographs, from Newcastle upon Tyne.
Date:
between 1870 and [1890?]
Physical Description:
1 album (73 photographs) ; 28 cm
Collection:
Rare Books and Manuscripts
Alderman Akeinside's "Bit of dinner at the club"!
Date:
[1860s?]
Physical Description:
[30] pages ; 17 cm
Collection:
Rare Books and Manuscripts
Alexandra Park, with Two Horse Carts and Workers
Creator:
unknown artist
Date:
ca. 1862
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs
Ancient Doorway, Magdalen College, Oxford
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Angel of Peace
Creator:
unknown artist
Date:
between 1839 and 1866
Materials & Techniques:
Albumen print on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 4 inches (15.2 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aquatic Landscape; Men with Boats and Fishtraps
Creator:
unknown artist
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro