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Exhibition History Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)

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Study for Burying the Royal Children
Creator:
James Northcote, 1746–1831
Date:
ca. 1790
Materials & Techniques:
Oil on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 17 x 11 1/4 inches (43.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Falstaff in the Boar's Head
Creator:
Robert Smirke, 1752–1845
Date:
1807
Materials & Techniques:
Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of Duncan - Study of Sleeping Grooms
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 3 13/16 × 7 7/16 inches (9.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of Duncan - Macbeth Stabbing Duncan
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, textured, brown laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 9 9/16 inches (14.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of Duncan - Macbeth with the Daggers
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Graphite, black chalk and white chalk on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 1 13/16 inches (11.1 × 4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 2 11/16 inches (11.2 x 6.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 5 1/16in. (11.1 x 12.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of Duncan - The Sleeping Groom
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Claudio and Isabella
Creator:
Robert Smirke, 1752–1845
Date:
1823
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Feste, as Sir Topas, addressing Malvolio
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Capulet Railing at his Daughter, Juliet
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 x 4 1/2 inches (16.1 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Juliet About to Take her Sleeping Draught
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Mortimer's Welsh Song
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ford in a Rage After Seeing Falstaff
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Master William Page and Sir Hugh Evans
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Ophelia
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1810
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 x 5 7/8 inches (12.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Virgilia and Volumnia Plead with Coriolanus
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1795
Materials & Techniques:
Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shakespeare Sacrificed; or, The Offering to Avarice
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Olivia and Maria
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Brown ink with brown wash, gouache and oil on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 3/16 x 3 3/8 inches (10.7 x 8.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Othello and Desdemona, 'Othello', Act V, Scene II
Creator:
attributed to Richard Cosway, 1742–1821
Date:
ca. 1805
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sketch for the Passions: Jealousy
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 x 10 1/8 inches (35.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sketch for the Passions: Love
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fluellen Forcing Pistol to Eat His Leek
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prospero and Miranda
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Creator:
Mary Hoare, 1744–1820
Date:
1780
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Apparition of the Armed Head: Macbeth
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Percy Watching the Sleeping Hotspur
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:
Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ophelia's Death
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:
Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1782
Materials & Techniques:
Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alcibiades and Timon
Creator:
Richard Westall, 1765–1836
Date:
ca. 1805
Materials & Techniques:
Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Macbeth, Sleepwalking
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Three Witches from Macbeth: Double, Double, Toil and Trouble
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reconciliation of the Montagues and the Capulets
Creator:
Frederic Leighton, 1830–1896
Date:
1854
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hamlet and the Ghost
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1825
Materials & Techniques:
Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Macbeth and the Witch
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Timon of Athens Before His Cave
Creator:
Richard Cosway, 1742–1821
Date:
ca. 1805
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 7/16 inches (24.5 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Princes in the Tower
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hamlet and the Ghost
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Macbeth and the Apparition of the Armed Head
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Monument to Shakespeare
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1763
Materials & Techniques:
Graphite, watercolor, and pen and black ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 9/16 inches (39.1 x 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ferdinand and Ariel
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection