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Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Remove constraint Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Subject Terms river

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Classification Prints

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1. South View of Christ Church, etc. from the Meadows

South View of Christ Church, etc. from the Meadows
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1799
Materials & Techniques:
Line engraving, engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Woman and Tambourine

The Woman and Tambourine
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Teignmouth, Devon

Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1815
Materials & Techniques:
Etching and line engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Dartmoor; Source of the Tamar and the Torridge

Dartmoor; Source of the Tamar and the Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Rosslyn Castle

Rosslyn Castle
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1822
Materials & Techniques:
Line-engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Richmondshire Castle and Town

Richmondshire Castle and Town
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1820
Materials & Techniques:
Etching and line engraving; engraver's proof (touched) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Saltash, Cornwall

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1827
Materials & Techniques:
Etching and line-engraving, Engraver's proof, 1st Published State on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof (3) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Saltash, Cornwall

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 5/8 × 18 1/8 inches (32.1 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Bolton Abbey, Yorkshire

Bolton Abbey, Yorkshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Brinkburn Priory, Northumberland

Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, (Engraver's Proof a) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving and graphite; touched proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, white wove paper
Dimensions:
Plate: 5 7/8 x 9in. (14.9 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

21. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, (First Published State) on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 16 1/8 × 9 inches (41 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, and graphite, with, sscraping (Touched Proof a) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Napoleon's Logement, Quai Conti

Napoleon's Logement, Quai Conti
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834-1836
Materials & Techniques:
Etching and engraving (Engraver's Proof) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Tancarville

Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, (First Published State) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

28. Between Quilleboeuf and Villequier

Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

29. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 3/8 × 16 3/8 inches (26.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Light Towers of the Heve, vignette for title page

Light Towers of the Heve, vignette for title page
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, (Second State)
Dimensions:
Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Between Quilleboeuf and Villequier

No cover image available
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Early Engraver's Proof) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Nineveh, Moussul on the Tigris

Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835-1836
Materials & Techniques:
Etching and engraving, (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

36. Hotel de Ville and Pont d'Arcole

Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

37. Hotel de Ville and Pont d'Arcole

Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, touched with graphite (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, touched with graphite (Later Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Later Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Paris from the Barriere de Passy

Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Nineveh, Moussul on the Tigris

Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Ancient Italy - Ovid Banished from Rome

Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (II, Moon's Impressions) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Ancient Italy - Ovid Banished from Rome

Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection