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Associated Places England

Image Use Free to Use

Subject Terms literary theme

1. Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"

Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"

Creator:: Johan Joseph Zoffany, 1733–1810
Date:: 1767
Materials & Techniques:: Oil on canvas
Dimensions:: 51 1/4 x 65 inches (130.2 x 165.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1786
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 13 3/4 inches (27.9 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Herne's Oak from 'The Merry Wives of Windsor,' V, v

Herne's Oak from 'The Merry Wives of Windsor,' V, v

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1857
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. The First Appearance of William Shakespeare on the Stage of the Globe Theatre

The First Appearance of William Shakespeare on the Stage of the Globe Theatre

Creator:: George Cruikshank, 1792–1878
Date:: 1864 to 1865
Materials & Techniques:: Oil on canvas
Dimensions:: 27 7/8 x 21 7/8 inches (70.8 x 55.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. The Lonely Tower

The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. The Lonely Tower

The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Scene from Quentin Durward

Scene from Quentin Durward

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. St. Herbert's Chapel

St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. St. Herbert's Chapel

St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Boy of Egremond

The Boy of Egremond

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Junction of the Greta and the Tees

Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Berwick-on-Tweed

Berwick-on-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 inches (30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection