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St. Paul's Cathedral
Creator:
Canaletto, 1697–1768
Date:
ca. 1754
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 24 3/4 × 28 3/4 × 1 3/4 inches (62.9 × 73 × 4.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A View of Thames Street, Windsor
Creator:
George Vincent, 1796–1832
Date:
1827 to 1830
Materials & Techniques:
Oil on canvas
Dimensions:
26 5/8 x 36 3/4 inches (67.6 x 93.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Archery Meeting in Bradgate Park, Leicestershire
Creator:
John Ferneley, 1782–1860
Date:
1850
Materials & Techniques:
Oil on canvas
Dimensions:
46 1/2 x 99 inches (118.1 x 251.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
Figures taking the Waters at the Spa at Scarborough
Creator:
James Green, 1771–1834
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and gray ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Queen Elizabeth Gate
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Steine, Brighton
Creator:
John Nixon, ca. 1760–1818
Date:
1787
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 6 3/4 inches (9.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harvesters in Landscape in Sussex
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Italian Fair
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1923
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 9/16 x 8 3/4 inches (16.7 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Green Park
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 13/16 x 12 1/8 inches (25 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Exhibition of the Royal Academy, 1787
Creator:
Print made by Pietro Antonio Martini, 1738–1797
Date:
1787
Materials & Techniques:
Engraving and etching on medium, slightly textured, cream paper
Dimensions:
Sheet: 14 1/2 × 20 9/16 inches (36.9 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stone Bow, Lincoln
Creator:
Frederick James Havell, 1801–1840
Date:
1836
Materials & Techniques:
Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection