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1. Old Smithfield Market

Old Smithfield Market

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: 1824
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 27 1/2 inches (50.8 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Wolverhampton Racecourse

The Wolverhampton Racecourse

Creator:: unknown artist
Date:: 1837
Materials & Techniques:: Oil on canvas
Dimensions:: 23 x 33 inches (58.4 x 83.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Fishmonger's stall

Fishmonger's stall

Creator:: Balthazar Nebot, active 1730–1762
Date:: 1737
Materials & Techniques:: Oil on copper
Dimensions:: 12 × 10 inches (30.5 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Edinburgh Castle and Horse Fair

Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Bergues - La Tour du Marché

Bergues - La Tour du Marché

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Rue du Gros Horloge

Rue du Gros Horloge

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Vue Generale de l'Eglise de l'Abbaye de Tournus

Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Caen - Eglise Saint-Sauveur

Caen - Eglise Saint-Sauveur

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. A Man Buying Snuff

A Man Buying Snuff

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. L'Eglise de St. Gervais et St. Protais

L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery