Work Type: relief print / Image Use: Free to Use / Subject Terms: horses (animals) and men - YCBA Collections Search Search Results

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Work Type relief print

Image Use Free to Use

Subject Terms horses (animals)

Subject Terms men

1. A-Hunting We Will Go

A-Hunting We Will Go

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 5 3/16 inches (12.6 x 13.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Rural Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Osborne House

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Religion of Europe: Professed and Practiced

The Religion of Europe: Professed and Practiced

Creator:: Print made by Gregory, Collins and Reynolds, active 1843
Date:: ca. 1845
Materials & Techniques:: Wood-engraving and color printed woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. October - Society in the Field

October - Society in the Field

Creator:: Print made by Adelaide Claxton, 1858–1905
Date:: undated
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 6 3/8 x 9 1/8in. (16.2 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Scottish Scenes. Albanian Scenes.

No cover image available

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Country Scenes

No cover image available

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 3/4 x 7/8 inches (7 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection